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ReelPolitik
A blog about film and politics, and the politics of filmmaking.
Anthony Kaufman is a film journalist and critic, who has written for the New York Times, the Los Angeles Times, the Chicago Tribune, the Village Voice and Slate, and contributes regularly to Variety, indieWIRE, the Wall Street Journal Online and the Utne Reader.
[Email Me]
Articles
- "Piracy May Be an Indie Filmmaker's Best Friend" (Indiewire, October 2011
- "The Decline of Indies on Netflix" (indieWIRE, Sept, 2011)
- "Secretariat" Isn't Hollywood's Only Secretly Conservative Blockbuster" (IFC News, October 2010)
- "Absurdistan: The New Iraq War Cinema" (Village Voice, April 2008)
- "Is Foreign Film The New Endangered Species?" (New York Times, January 2006)
ReelPolitik
Gael Garcia Bernal and Diego Luna Attacking Social Issues with Genre Fare
- By Anthony Kaufman
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- February 9, 2012 10:16 AM
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- 0 Comments
A production announcement about a new English-language genre franchise coming from Gael Garcia Bernal and Diego Luna's Mexico-based Canana Films caught my eye this morning for a number of reasons. While the use of genre--and horror, in particular--to attack contemporary social issues isn't new ("Night of the Living Dead" anyone?), I'm particularly intrigued by what's going on in Mexico right now, and Canana, specifically, as they also backed Gerardo Naranjo's narco-thriller "Miss Bala," which is really a thinly veiled scathing indictment of Mexico's culture of violence and superficiality.
Recent Comments
Just stumbled on your article. As an Iranian and a filmmaker, I appreciate your insight into
Of course, because don't we want all our movies to be politically correct and focus-group
That's a fascinating take on the subject, Harry Harrison. And thank you for pointing out that
Ah, Harry, it's funny how certain internet types reduce everything to "moron",
FACTOID: "Similarly, what qualifies Gibney to tackle wikileaks?" Um, mr. factoid, using
Documentary filmmaking, particularly of the type likely to turn up at major festivals and be
The music industry renders your argument moot: the other 86% of the population is overwhelmingly
A close friend of mine works at ITVS. I can tell you that it is a secretive place where the managers
I knew this would be more political oriented. And that's why Pitt signed onto the project. So
I haven't seen the movie yet, but I did see Moulin Rouge. I thoroughly enjoyed it, but not