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ReelPolitik
A blog about film and politics, and the politics of filmmaking.
Anthony Kaufman is a film journalist and critic, who has written for the New York Times, the Los Angeles Times, the Chicago Tribune, the Village Voice and Slate, and contributes regularly to Variety, indieWIRE, the Wall Street Journal Online and the Utne Reader.
[Email Me]
Articles
- "Piracy May Be an Indie Filmmaker's Best Friend" (Indiewire, October 2011
- "The Decline of Indies on Netflix" (indieWIRE, Sept, 2011)
- "Secretariat" Isn't Hollywood's Only Secretly Conservative Blockbuster" (IFC News, October 2010)
- "Absurdistan: The New Iraq War Cinema" (Village Voice, April 2008)
- "Is Foreign Film The New Endangered Species?" (New York Times, January 2006)
ReelPolitik
Robert Redford's Political Action Cinema; Revisits Watergate and Weather Underground
- By Anthony Kaufman
- |
- April 3, 2012 9:34 AM
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- 0 Comments
Robert Redford is revving up his activist pursuits with a spate of political-minded projects, from "The Company You Keep," his political thriller starring Shia LaBeouf, which could premiere at this year's Toronto International Film Festival, to a new slate of TV projects, including "All the President's Men Revisited," a 2-hour documentary for the Discovery Channel about the Watergate scandal to be directed by Peter Schnall.
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Recent Comments
If you tried to tone it down, you'd lose the essence of the book. Yes, the story might not
It all boils down to the fact that there's not a real market for "middle class angst"
Anthony sir, you're an idiot probably because you have a brain of a 5 year old kid... Thank you
C'mon---with all the critical hype that MEDICINE FOR MELANCHOLY got, Barry Jenkins should have
This is such an embarrassing article. "All this is to say, I guess, that white people can have
wow, Thor. I think you are the one that is bitter. I'm so not obsessed by race---it seems
@kaffeeklatsch "How many years ago did those movies get made?" 5 and 7, but what is your
Discussing issues of race, especially when the article in question is the one that brings up the
Hadn't thought about this film from such aspects.
By the way, why is everyone so racist here? White people this, white people that? Anyway, just so