According to the Forbes article that broke the news, the case had set off alarm bells among filmmakers because the judge had questioned whether doc filmmaking could be considered a for-profit business, saying at one point in the trial, “By its very nature, a documentary to me means that it’s not for profit. You’re doing it to educate. You’re doing it to expose."
“We said, hey, even if it takes six years, the making of a documentary, in spite of educational and public good, is also a business,’’ attorney Michael C. Donaldson, who wrote the brief for the film industry, told Forbes.
But is it a good business?
"Smile ‘Til It Hurts" received a Special Jury Prize at Michael Moore’s Traverse City Film Festival in 2010 and while the movie has been shown on cable TV in Canada, the film received no U.S. sale. Storey is now selling copies of the movie on DVD for $19.99 to raise money for legal fees. She told Forbes she has run up $120,000 in tax lawyers’ bills.
@antkaufman I admire his work even appreciate its sensationalism but consistently his films are too long and that decreases their impact.
Posted 4 hours ago
What is the key ingredient to Alex Gibney’s success? My latest Docutopia column: "Serious Sensationalism" http://t.co/tRg4D0qVdz
Posted 4 hours ago
Serious Sensationalism—The Alex Gibney Doc Factory | Docutopia http://t.co/zIJoCZtbdk
Posted 5 hours ago
“For the last 20 years, every director in China has faced a kind of tremendous torment & that torment is censorship,” http://t.co/uJIfxrts3Z
Posted 1 day ago
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