In the latest case of corporations taking over public institutions for profit, The New York Times has published an important story, "Smithsonian Agreement Angers Filmmakers" about a recent pact between the Smithsonian Institution and Showtime Networks Inc. to form Smithsonian Networks, "which has the right of first refusal to commercial documentaries that rely heavily on Smithsonian collections or staff." In those cases, reports the story, the documentaries would have to be first offered to Smithsonian on Demand, a new cable channel.
Ken Burns, for one, is pissed off, quoted as saying, "It feels like the Smithsonian has essentially optioned America's attic to one company, and to have access to that attic, we would have to be signed off with, and perhaps co-opted by, that entity."
The articles goes on to say that Laurie Kahn-Leavitt's recent doc Tupperware! would have fallen under the arrangement, which was broadcast on PBS's "American Experience." "This is a public archive," Kahn-Leavitt says in the article. "This should not be offered on an exclusive basis to anyone, and it's not good enough that they can decide on a case-by-case basis what they will and won't approve."
UPDATE: Powerful political blog Daily Kos picked up the story on Sunday, offering angry filmmakers a suggested outlet:
"CONTACT the Smithsonian's Administration and demand a retraction of the exclusivity clause! Our 'American attic' is not meant for the exclusive use of corporations":
Secretary Lawrence M. Small
PO Box 37012
SI Building, Room 153, MRC 010
Washington, DC 20013-7012
Office of Public Affairs: (202) 633-2400
“For the last 20 years, every director in China has faced a kind of tremendous torment & that torment is censorship,” http://t.co/uJIfxrts3ZPosted 17 hours ago
"What makes an image gay positive or not gay positive?" - on BEHIND THE CANDELABRA and queer cinema | ReelPolitik http://t.co/MsvEIWcaTOPosted 19 hours ago
The Anti-"Milk": Will "Behind the Candelabra" Get Tarnished as Homophobic? #Cannes2013 #HBO #GLAAD | ReelPolitik http://t.co/DpRQBcW6XgPosted 21 hours ago
Self-censorship, Iranian cinema and Asghar Farhadi's "The Past" | ReelPolitik http://t.co/8at5HbbYCKPosted 1 day ago