- By Anthony Kaufman
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- March 9, 2012 8:15 AM
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- 2 Comments
The celebrity-driven nonfiction film has become an unwelcome mainstray of the documentary form recently. Not only is Oscar-winning director Davis Guggenheim ("An Inconvenient Truth") directing commercials for none other than public persona #1 Barack Obama, but a whole slew of pop-docs are premiering at the Tribeca Film Fesival next month, with new films on Joseph Papp, musicians such as Queen and Tony Bennett, and sports figures such as the Red Sox's Tim Wakefield and the Met's R.A. Dickey. There's also star-studded docs on digital cinema ("Side by Side," featuring James Cameron, David Fincher, George Lucas, etc) and Morgan Spurlock's latest "Mansome" (with interviews with Will Arnett, Jason Bateman, Paul Rudd, Zach Galifianakis, etc). And do I care? Not really.
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Just stumbled on your article. As an Iranian and a filmmaker, I appreciate your insight into
Of course, because don't we want all our movies to be politically correct and focus-group
That's a fascinating take on the subject, Harry Harrison. And thank you for pointing out that
Ah, Harry, it's funny how certain internet types reduce everything to "moron",
FACTOID: "Similarly, what qualifies Gibney to tackle wikileaks?" Um, mr. factoid, using
Documentary filmmaking, particularly of the type likely to turn up at major festivals and be
The music industry renders your argument moot: the other 86% of the population is overwhelmingly
A close friend of mine works at ITVS. I can tell you that it is a secretive place where the managers
I knew this would be more political oriented. And that's why Pitt signed onto the project. So
I haven't seen the movie yet, but I did see Moulin Rouge. I thoroughly enjoyed it, but not