Cannes front-runner Asghar Farhadi can't escape politics of "The Past" | ReelPolitik http://t.co/ZBxyb78USB
Posted 12 minutes ago
RT @alsolikelife: "One of the most auspicious and aesthetically daring outpourings of documentary films in recent memory" @antkaufman http://t.co/SuZMLgxnEE
Posted 1 day ago
RT @alsolikelife: "One of the most auspicious and aesthetically daring outpourings of documentary films in recent memory" @antkaufman http://t.co/SuZMLgxnEE
Posted 1 day ago
RT @alsolikelife: "One of the most auspicious and aesthetically daring outpourings of documentary films in recent memory" @antkaufman http://t.co/SuZMLgxnEE
Posted 1 day ago
Recent Comments
C'mon---with all the critical hype that MEDICINE FOR MELANCHOLY got, Barry Jenkins should have
This is such an embarrassing article. "All this is to say, I guess, that white people can have
wow, Thor. I think you are the one that is bitter. I'm so not obsessed by race---it seems
@kaffeeklatsch "How many years ago did those movies get made?" 5 and 7, but what is your
Discussing issues of race, especially when the article in question is the one that brings up the
Hadn't thought about this film from such aspects.
By the way, why is everyone so racist here? White people this, white people that? Anyway, just so
A lot of people don't seem to get Baumbach at all. He isn't here to make some
No one is preventing white people from telling their stories, they are everywhere if you've
New York = Money. Money is the reason these stories are bland and inherently annoying because