With the release on DVD of "The Girl with the Dragon Tattoo" yesterday and the theatrical distribution of sequel "The Girl Who Played With Fire" in theaters on Friday, I examine the Swedish phenom for IFC.com in this article "The Girl with the Foreign Language Franchise":
The year's most successful foreign film isn't from Pedro Almodóvar, doesn't include martial arts fighting and isn't distributed by Miramax or Sony Pictures Classics. It didn't even play at a major international film festival like Cannes or Toronto. Reviews were generally favorable, but by no means raves; and with no foreign stars and a running time of more than two-and-a-half hours, it's a miracle that the Swedish thriller "The Girl With the Dragon Tattoo" garnered some $9 million in U.S. ticket sales and has become a first-of-its-kind arthouse franchise for new distributor Music Box Films....
“For the last 20 years, every director in China has faced a kind of tremendous torment & that torment is censorship,” http://t.co/uJIfxrts3Z
Posted 15 hours ago
"What makes an image gay positive or not gay positive?" - on BEHIND THE CANDELABRA and queer cinema | ReelPolitik http://t.co/MsvEIWcaTO
Posted 17 hours ago
The Anti-"Milk": Will "Behind the Candelabra" Get Tarnished as Homophobic? #Cannes2013 #HBO #GLAAD | ReelPolitik http://t.co/DpRQBcW6Xg
Posted 19 hours ago
Self-censorship, Iranian cinema and Asghar Farhadi's "The Past" | ReelPolitik http://t.co/8at5HbbYCK
Posted 1 day ago
0 Comments