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INTERVIEW: 100% Uncut Irvine Welsh on "The Acid House"
INTERVIEW: 100% Uncut Irvine Welsh on "The Acid House"
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FESTIVALS: With Lower Wattage and Filmmaker Support, Karlovy Vary Takes a Step Back
FESTIVALS: With Lower Wattage and Filmmaker Support, Karlovy Vary Takes a Step Back
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REVIEW: Uninspired Indies, Inert "Velocity of Gary" and Failed "Trick"
REVIEW: Uninspired Indies, Inert "Velocity of Gary" and Failed "Trick"
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INTERVIEW: Double Threat: the Polish Brothers' Directing, Writing, Starring Debut, "Twin Falls Idaho
INTERVIEW: Double Threat: the Polish Brothers' Directing, Writing, Starring Debut, "Twin Falls Idaho"
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DAILY NEWS: MPAA Cut Toback Film Online; New Gen Y Girl Channel; Hamptons Programmers; Miramax Name
Programmers; Miramax Names new VP; Archive Nabs AFM Head; Mirvish Baby
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Yugoslav Filmmakers Fight A Different War: Speaking with Goran Paskaljevic and Srdjan Dragojevic
"In my country, there are no happy endings," says Goran Paskaljevic, the acclaimed director of "Cabaret Balkan," one of three Yugoslav movies hitting American shores with a sobering vengeance this season. Next week, Srdjan Dragojevic's "The Wounds" opens in Boston, followed by the release of Emir Kusturica's long-awaited "Black Cat, White Cat" in the Fall (after being pushed back several times by distributor-in-transition USA Films.) These are three very different movies by three very different Yugoslavian directors, offering a heavy dose of pain, parody, and cinematic achievement -- humanizi...
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FESTIVALS: Florida Fest Retains Regional Crown
FESTIVALS: Florida Fest Retains Regional Crown
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DAILY NEWS: "Blair's" Big Weekend; Roodman to On2.com; Manga's Anime; IFC's "Performance"
by Eugene Hernandez/indieWIRE
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