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Caryn James

Michael Douglas, Kitsch and Depth: Soderbergh's 'Behind the Candelabra'

  • By Caryn James
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  • May 21, 2013 12:45 PM
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  • 1 Comment
Despite the earnest pr spin surrounding it, Behind the Candelabra invites us to laugh at - not always with - the grinning, gaudy Vegas spectacle that is Liberace. But Michael Douglas' performance is also deep, sympathetic and brilliant, an act of impeccable mimicry that reveals the essence of a man defined by his fame as surely as he is encased in his spangled tux. The wonder of Steven Soderbergh's hugely entertaining film is that it beautifully walks the line between hilarious kitsch and character study.

Walloping Action In Soderbergh's Haywire, Plus Fassbender And McGregor

  • By Caryn James
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  • January 17, 2012 11:59 PM
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When a man is contracted to kill kickass undercover agent Mallory Kane, he says with mild curiosity, “I’ve never done a woman before,” and gets the perfect deadpan reply: “You shouldn’t think of her as being a woman. That would be mistake.” That doesn’t even sound sexist, because Kane is as much a lethal machine as she is a person, an approach that works just fine in Haywire, Steven Soderbergh’s walloping (literally; everybody gets walloped) spy-action movie.

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