For years, it has been easy to dismiss Angelina Jolie as an extremely beautiful flake. Even her work for humanitarian causes could seem like the image-burnishing, manic-y upside of her earlier, darker bad-girls days. Not anymore. In the Land Of Blood and Honey, which she wrote and directed, is a surprising triumph in so many ways. I have to say, I completely underestimated her.
The film is not some celebrity vanity project, but an astute, dramatically gripping work set against the horrors of the Bosnian War. More than a war story, it is even more about how sex and power intersect with global politics. And if you’ve read any of the grumbling about the plot – a romance between a Muslim woman and the Serbian soldier who is also her captor - you’ll be relieved to find that the film is deeply feminist. Of all the atrocities committed during the Bosnian conflict, Jolie chose to focus on the sexual violence against women.
It’s impossible to separate the film from its starry director. This grim story with a no-name cast might never have been made without her clout behind it. But from the time the film begins, we are immersed in a such fully realized world that we can forget who brought it to the screen in the first place.
For all it ambition, In the Land of Blood and Honey is decidedly, deliberately mainstream, though. Jolie brings all her commercial instincts to this artistic project, expertly balancing the fast-paced action of war with a sense of character. At the start, we see the Serbian Danijel (Goran Kostic) and the Muslim Ajla (Zana Marjanovic) dancing together at a club, when a fierce explosion tears the room, and their lives, apart. The war begins, and soon Ajla and her sister, the single mother of a baby, are rounded up by Serbian soldiers and sent to an isolated prison camp.
These early scenes are among the most horrifying. The next time Danijel and Ajla meet, he is about to rape her - part of the assembly line of Serbian soldiers attacking their prisoners - until he recognizes her. He becomes her protector; at times he actually seems gentle and concerned. She becomes devoted to him. But this is no Romeo and Juliet story about lovers from warring families. Their attachment is less obvious and far less straightforward than it seems. Jolie never gives us access to their private thoughts, and so keeps us off-guard, wondering what the relationship is really about. It’s impossible to discuss that question without giving away too much, but there is a big reveal and a stunner of an ending.
Throughout, Jolie is shrewd enough to let the characters and their relationship carry the weightier issues; the film never becomes a political lecture. When Danijel says of the Serbian “ethnic cleaning” that “It’s politics, not murder,” and Ajla argues, “It’s murder for political gain,” that’s one of the few scenes in which the script articulates its heavier themes. More often we see Danijel insisting to his father, a ruthless Serbian general, that he is devoted to their cause, while we’re left to wonder: is he lying to his father, or Ajla, or himself?
There are some problems with the script, which relies on movie-ready coincidences. Characters get lost and circle back to each so often, by the end you may think there were no more than a dozen people in the war. That kind of melodrama undermines the deeper, genuine drama. But to quibble with that is to say that Jolie’s film is so good, you wish it were that much better.
Shot in Budapest, the film is visually precise and evocative. Dean Semler’s cinematography (he shot Road Warrior among many others) and Jon Hutman’s production design create a sand-colored world of stone and rubble, yet convey a sense of the civilization that rubble has replaced.
Jolie, of course, has the resources to surround herself with great advice. But not every star director has the sense and modesty to take it. Whatever her next move, Jolie has transformed herself into a serious, accomplished filmmaker. No flake could do that.
15 Comments
dsag | January 9, 2012 7:12 AM
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I knew it... | January 3, 2012 7:28 PM
Congrats, another box office flop for Angie !
Baileysirish | January 2, 2012 4:54 PM
Flake: to bail out of something, to break a contract, to be unreliable. Really Caryn James? That describes you, way more than Angelina Jolie. Is/was that your perception of her? If so, it's great that you've had a change of heart/mind after being so vicious towards her in the past, because admitting that was take away, and even more bizarrely, inferring others had long been in agreement, would have earned you mass double-takes, and loud 'Say What?!' explanations en masse worldwide. Because I believe most people, even her harshest, and most bitter, irrational enemies would say the opposite. You dont get on Gallup's Most Admired & Most Influential, 6-7 years in a row, you typically are't honored with commendations by the UN, or invited to be members of the Council on Foreign Relations by Presidents, and Senators, when perceived as a 'flake.' If you still choose to dismiss the many organizations, other notable people in various fields, and their consistent, long-time praise, as well as the worldwide polls and surveys, consistently saying she's been, for the better part of 10 years an effective, influential advocate for those less fortunate around the world....how about the simple fact that she's been equally dedicated as a humanitarian, on the ground and around the world for almost a decade. No one disputes that, so in what way does that scream 'flake,' to you? To be a flake, you need demonstrative proof. Unless you're intent on using it as 'slur,' to infer that though she appears dedicated and hardworking, and has proved that continously for years, on the field, putting her money, sweat and tears where her mouth is, because YOU, caryn james, have been paid or encouraged to slam her personally, you continue to imply, FALSELY, that the perception is the opposite; that she really hasn't been dedicated all this time at all, mindreader that you are. It's quite clever cruelty that - akin to asking someone, 'when did you stopbeating your wife?' Or, accusing someone of 'emotional' infidelity - if its not true, there's no way to really ever disprove. Telling humanitarians, or anyone with very good intentions, that they REALLY don't mean it, is fairly nasty. It's not unusual for the rancid bitter hateful detractors of Jolie's either. In other words Caryn James, her fans have long had your number, even if Jolie isnt even aware of you. Our only guess is that the entities that once encouraged your burning Jolie at the stake, must not be all that influential in your world any more, so youve switched tactics. Maybe one day you can right a real piece on how that works, what industry coverage is really driven by (vindictive lying pr flacks, granting access and greasing palms for smear jobs?) i would pay to read that stuff. This stuff you're writing now, its not as vicious as it used to be, but again, explaining your past hit jobs on the science fictionalized preposterous lie, that jolie is perceived as 'flaky,' is almost as nutty as saying the same about Hilary Clinton - that, "for years, it's been easy to dismiss Hilary Clinton as an underachieving stay at home spouse." Seriously, it's that much of a head scratcher. I've read one piece of yours before on Jolie, many years ago, it was a deliberate smear job. For a well know Jolie hater such as yourself to be even somewhat complimentary of her film, now, it must be close to a masterpiece...or you have a new boss, telling you to change tactics.
max | December 22, 2011 4:12 PM
ahahaha
hhroom | December 20, 2011 6:36 PM
In view of the large number of celebrities, children of celebrities and others in and out of the movie business who appear to do perfectly credible work as big budget movie directors the first time out, it might be more appropriate to speculate why so many succeed, rather than marvel that yet another has. You don't, for example, see many "first time violinists", who are current or former movie stars turn up in Carnegie Hall, and none so far has turned in an acclaimed literary novel. Nor do they distinguish themselves as film editors or DPs. But directing multi-millionaire productions, they do just dandy. I can't imagine why....
Mea | December 20, 2011 4:52 PM
While I think the critique made some excellent points regarding an excellent film, I have heard Angelina Jolie mischacterized in more ways than I can count but "flake" is not one of them. Thus your opening and closing use of the perjorative confused me. Since even many of her distractors allow for her intelligence, I was further perplexed by the "shockingly" in the critique's title.
George | December 20, 2011 11:50 AM
really nice piece and i'll all for giving artists a second/third look. but (vis a vis mary's comment): the idea that jolie doesn't care what the media think of her is wrong. with or without a publicist (and she has a manager who serves as her publicist anyway), she has always manipulated the paparazzi masterfully so that they "happen upon" scenes of her being a great mother. obviously this was at its height during the aniston/jolie PR wars, but jolie is still extremely canny and savvy about her public image and how to sculpt it. nothing is by accident. ever.
Mary | December 20, 2011 11:04 AM
It takes a bigger woman to admit she has been wrong. After you did the hatchet piece on Jolie during your time with New York Times, I wondered why journalists like you were so threatened by her. But then the more you study the celebrity/media landscape, it becomes obvious. Jolie does not come across as warm and fuzzy, and she sure as hell doesn't suffer fools, period. Add to that, in spite of the accusation that she manipulates the media, the woman never had a publicist to schmooze the media and quite frankly, she doesn't care enough about what the media think of her to respond or deny things written about her.
I am glad you have finally discovered what most of us have always known that Jolie is a very intelligent, kind, worldly, kick ass woman who also happens to be drop dead gorgeous. I can't wait to see the movie.