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Chiwetel Ejiofor As a 1930's Jazz Musician in the New Miniseries 'Dancing on the Edge'

Television
by Caryn James
October 19, 2013 9:01 AM
1 Comment
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There are many reasons 12 Years a Slave is so eloquent and powerful, from Steve McQueen's fluid direction to John Ridley's first-rate screenplay and the cast of actors unafraid to play some of the worst and most heroic elements of character -- but at its heart, the film rests on Chiwetel Ejiofor's  performance as a free man turned slave, whose strength, outrage and resilience never begs for the audience's easy sympathy. Anyone who has followed his career knows that performance is no fluke. In earlier films, he has often been the very good center holding a mediocre work in place (Kinky Boots, Dirty Pretty Things).

There is more of his versatility on screen this weekend. Tonight, Starz begins a five-part miniseries, Dancing on the Edge, with Ejiofor as a British jazz musician whose group becomes famous in the racist 1930's, even though he and his band can't enter the front door of the hotel where they play -- at least not until the Prince of Wales becomes a fan. Written and directed by Stephen Poliakoff (known for tony but staid television dramas like The Lost Prince), Dancing on the Edge is a vibrant, stylish but by-the-numbers period piece. Especially if you're a fan of that genre, though, it has enough terrific music (written for the series by Adrian Johnston), intrigue and drama to be worth watching.

The career of Ejiofor's character, Louis Lester, is loosely based on Duke Ellington's, and the story is at its most penetrating in those rare moments when it acknowledges that white audiences appreciating black musicians was often its own kind of racist condescension. That social edge isn't truly what concerns Poliakoff, though, as the film keeps focused on the melodrama that frames it, the aristocrats who pop in and out, and eventually a crime plot that overtakes everything else.  

The story begins with the famous Lester in some kind of unexplained trouble as he arrives at the office of his friend, a jazz journalist named Stanley Mitchell (Matthew Goode). In flashback we see how Stanley helped promote the band, bringing them to the attention of wealthy middle-aged benefactors played by Anthony Head and Jacqueline Bisset, as well as a group of  beautiful young things, played by Joanna Vanderham, Tom Hughes and Janet Montgomery.  John Goodman, as a belligerent American millionaire, may be the most stereotypical of this caricatured bunch. All well-played, but more than a bit trite. When Prince George and the Prince of Wales turn up, early in the series, you might as well stop hoping for anything deeper and settle back to enjoy the series for the froth it is.


We know that something terrible has to happen because of that opening scene -- and also because  these entitled rich people are exactly the kind dragged into miniseries to make trouble. The two women who sing in the Louis Lester Band are wonderfully played, though. The star, Jessie (Angel Coulby) has a simmering ambition, and her best friend, Carla (Wunmi Mosaku) has to wait for her chance to shine. And Ejiofor brings his usual intelligence to Lester, who is fierce, clever, charismatic and sexy, and always perfectly aware of how the social odds are stacked against him.

If you want to see Ejiofor in the kind of amazing role he deserves, of course there is 12 Years a Slave. But Dancing on the Edge is engaging enough -- and offers more evidence that his options as an actor should be limitless. 

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1 Comment

  • Susie | October 19, 2013 10:55 AMReply

    Thanks for this article. I had never heard of this miniseries, and I do get Starz, so I will be watching tonight.

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