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Michael Douglas, Kitsch and Depth: Soderbergh's 'Behind the Candelabra'

  • By Caryn James
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  • May 21, 2013 12:45 PM
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  • 1 Comment
Despite the earnest pr spin surrounding it, Behind the Candelabra invites us to laugh at - not always with - the grinning, gaudy Vegas spectacle that is Liberace. But Michael Douglas' performance is also deep, sympathetic and brilliant, an act of impeccable mimicry that reveals the essence of a man defined by his fame as surely as he is encased in his spangled tux. The wonder of Steven Soderbergh's hugely entertaining film is that it beautifully walks the line between hilarious kitsch and character study.

'Side By Side': Watch Dunham, Gerwig And Others In Outtakes As Good As The Film

  • By Caryn James
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  • September 1, 2012 9:30 AM
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Side By Side, the terrific, widely-praised documentary with interviews by one of its producers, Keanu Reeves, has been available On Demand for a few weeks and is has just opened in New York – an event that offers your very own counterpart to the movie’s unexpectedly fascinating debate about film vs. digital technology. Do you watch at home or go old-school and actually visit a theater?

Walloping Action In Soderbergh's Haywire, Plus Fassbender And McGregor

  • By Caryn James
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  • January 17, 2012 11:59 PM
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When a man is contracted to kill kickass undercover agent Mallory Kane, he says with mild curiosity, “I’ve never done a woman before,” and gets the perfect deadpan reply: “You shouldn’t think of her as being a woman. That would be mistake.” That doesn’t even sound sexist, because Kane is as much a lethal machine as she is a person, an approach that works just fine in Haywire, Steven Soderbergh’s walloping (literally; everybody gets walloped) spy-action movie.

Watch the Enticing Trailer for Keanu Reeves' New Documentary (UPDATED)

  • By Caryn James
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  • January 17, 2012 11:30 PM
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  • 4 Comments
UPDATE: In a great, forward-looking match, Tribeca Film has just acquired Side By Side, and plans a summer release.

Ewan McGregor In Perfect Sense

  • By Caryn James
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  • January 12, 2012 9:30 AM
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  • 1 Comment
Perfect Sense is one of those clever, minor, almost-good films saved by Ewan McGregor. (It’s kind of shocking how many there are: how about Rogue Trader, Stay and I Love You Phillip Morris for starters?) This one is a too self-consciously poetic yet more ambitious variation on Contagion, with McGregor and Eva Green as lovers who meet at the start of some unexplained blight sweeping across Glasgow.

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