- By Blair McClendon
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- October 12, 2012 11:51 AM
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- 0 Comments
"Work of art" does not suffice as a label for Cristian Mungiu’s new film, "Beyond The Hills." Cameras have long celebrated labor, of bodies as well as minds, and here the film itself has become "work" in all of its most beautiful, terrifying connotations. This tale of two young women -- friends since their days in an orphanage, who reunite in a monastery -- pushes itself to the point of exhaustion. Yet, it never collapses. It only builds upon itself promising something ever more powerful until the screen finally goes black and the audience, too, has labored long and hard.
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