Survey: Best Criterion Essays
The Theme in Every Pixar Movie
In a World... of Trailers
'The Attack' and 'A Hijacking'
Vintage 'Siskel & Ebert' Clips
Interview: Filmdrunk's Vince Mancini
CinemaScore and Critics
VODetails: 'Selling Drugs'
On 'Man of Steel''s Ending
Welles at Lunch
Moviegoers on 'Man of Steel'
How Hits Become Flops
New Twists on Familiar Material at SIFF
The PG-13 Problem
Weird Pull Quote Theater!
Melissa McCarthy on Rex Reed
Critics' Coppola Privilege Problem
The Showrunner as Auteur
Chinese Cuts of Hollywood Movies
VODetails: 'Twixt'
LaBute Trashes Critic
Young Ebert's Letter to the Editor
Survey: Bueller? Bueller?
Superheroes and Shakespeare
Poitras and Snowden
Breaking a Rotten Tomatoes Record
Refined Talk, Vulgar Auteurs
Early 'Monsters U' Reviews
Vince Vaughn, Salesman Actor
Tales of Hollywood Survival
The Dude Days of Summer
Notes on Vulgar Auteurism
The Politics of 'The Purge'
Need Traffic? Bash Critics
Things Critics Will Tell You
Good News Everyone!
Death to Exposition
Hollywood's Most Complex Franchise
Uwe Boll Got Better (and Worse)
Defending the MandarinIn Theaters
- Between Us
- In the Fog
- Twenty Feet From Stardom
- Fukrey
- The Stroller Strategy
- The Guillotines
- 200 Cartas
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Criticwire
Criticwire at Cannes: The Top Films and Performances Poll
- By Steve Greene
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- May 29, 2012 12:58 PM
- |
- 7 Comments
"Amour" and "Holy Motors" close out Cannes as the Criticwire favorites, but what gangsters and singers also made the best of the festival lists? And which films drew both applause and disappointment?
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