As the votes came in for the best film at this year’s Cannes Film Festival, Michael Haneke’s "Amour (Love)" and Leos Carax’s "Holy Motors" flipped back and forth between the top two slots. It’s only fitting that the pair of films ended up in a virtual deadlock for first place, with Haneke's Palme d'Or winner edging out the competition by the slimmest of margins.
In addition to listing their favorites, Criticwire members were also given the opportunity to name their most disappointing films of the festival. As a result, Cannes’ most polarizing offerings quickly bubbled to the top, with David Cronenberg’s "Cosmopolis" leading the way.

But even some of the derided films found their champions. Out of the top ten "Most Disappointing" films, four of them also made the top ten Best Films list, with three receiving first-place votes in both categories.
Only two of the top ten Best Film finishers were from outside competition. "Beasts of the Southern Wild" continued its magical 2012 run, finishing fifth overall despite already receiving wide exposure at Sundance, where six of the critics who responded for Cannes also submitted ballots. Pablo Larraín’s "No" was the other non-competition film to place high, even though star Gael Garcia Bernal couldn’t quite crack the list of performers.
A few films that may not have fared well as overall products did get attention for their impressive ensembles. Five different actors received votes for their performances in "Killing Them Softly," with James Gandolfini and Ben Mendelsohn only being edged out by Riva. "On the Road" also had received mentions for five of its castmembers, with Kristen Stewart earning a first-place vote for her turn as Marylou.
Finally, it’s worth mentioning that the Best Supporting performance category featured not one but two performances from actresses probably best known for their singing careers: Kylie Minogue in "Holy Motors" eked out a top ten finish, while Macy Gray's performance in "The Paperboy" received multiple votes, but finished just outside the list.
[Note: Scores for individual categories were tabulated on a simple weighted scale, with a first-place vote earning five points, second place earning 4 points, and so on. Critics could list fewer than five for a particular category or abstain from one altogether.]
(LEGEND: Film or Performance: Number of Mentions - (First-Place Votes) - Aggregate Score - Average Criticwire Grade)
BEST FILM
1. Amour (Love) – 20 – (10) – 82 - A-
2. Holy Motors – 21 – (8) – 81 - A-
3. Moonrise Kingdom – 12 – (0) - 30 - B+
4. Rust and Bone – 8 – (1) – 24 - B
5. Beasts of the Southern Wild – 6 – (2) – 22 - B+
6. No – 6 – (1) – 20 - A-
7. Mud – 4 – (1) – 14 - B-
8. Cosmopolis – 4 – (1) – 13 - B-
9. Beyond the Hills – 5 – (1) – 12 - B-
T10. Killing Them Softly – 4 – (0) – 10 - B
T10. Like Someone in Love – 3 – (0) – 10 - B-
Also Receiving First Place Votes: "Post Tenebras Lux," "Sightseers"
MOST DISAPPOINTING FILM
1. Cosmopolis – 10 – (4) – 35 - B-
2. On the Road – 11 – (3) – 34 - C+
3. Like Someone in Love – 7 – (3) – 30 - B-
4. The Paperboy – 9 – (4) – 29 - C-
5. Killing Them Softly – 7 – (1) – 20 - B
6. Beyond the Hills – 7 – (2) – 19 - B-
7. Mekong Hotel – 4 – (1) – 17 - B-
8. Reality – 4 – (1) – 17 - B-
9. Lawless – 6 – (1) – 16 - C+
10. After the Battle – 4 – (1) – 13 - C-
Also Receiving First Place Votes: "Post Tenebras Lux," "11.25: The Day He Chose His Own Fate," "Dracula 3D," "Paradise: Love," "The Legend of Love & Sincerity"
BEST LEAD PERFORMANCE
1. Denis Lavant, "Holy Motors" – 20 – (15) – 92
2. Jean-Louis Trintignant, “Amour (Love)” – 18 – (4) – 68
3. Emmanuelle Riva, “Amour (Love)” – 12 – (3) – 46
4. Marion Cotillard, “Rust and Bone” – 10 – (2) – 32
5. Mads Mikkelsen, “The Hunt (Jagten)” – 9 – (0) – 22
T6. Matthias Schoenaerts, “Rust and Bone” – 8 – (0) – 16
T6. Aniello Arena, “Reality” – 6 – (0) – 16
8. Émilie Dequenne, “Loving Without Reason” – 4 – (2) – 15
9. Tye Sheridan, “Mud” – 5 – (1) – 14
10. Quvenzhané Wallis, “Beasts of the Southern Wild” – 6 – (0) – 12
Also Receiving First Place Votes: Alice Lowe/Steve Oram, "Sightseers"
BEST SUPPORTING PERFORMANCE
1. Emmanuelle Riva, “Amour (Love)” – 6 – (5) – 29
2. James Gandolfini, "Killing Them Softly" – 9 – (1) – 23
3. Ben Mendelsohn, “Killing Them Softly” – 6 – (1) – 18
4. Bruce Willis, “Moonrise Kingdom” – 5 – (1) – 15
T5. Nicole Kidman, “The Paperboy” – 4 – (1) – 14
T5. Guy Pearce, “Lawless” – 4 – (0) – 14
T7. Kristen Stewart, “On the Road” – 4 – (1) – 11
T7. Scoot McNairy, "Killing Them Softly" – 4 – (0) – 11
T7. Kylie Minogue, “Holy Motors” – 4 – (0) – 11
7 Comments
Jordan Mintzer | June 12, 2012 11:16 AM
With the exception of Pablo Larrain's "No," I find it rather disappointing that this poll hardly bothers to mention or rate films that screened in the Directors' Fortnight and Critics' Week sidebars. How can one offer an opinion or wrap-up of Cannes by only covering the Official Selection and practically ignorning the other sections entirely? Haneke, Carax, Audiard, Reygadas, Weerasethakul, Nichols, Dolan and Loach all premiered their earliest works in either the DF or CW, and it's unfortunate that the critics surveyed here seemed to limit their coverage to the tenured auteurs of the Official Selection rather than seeking out those of the next generation at the Palais Stephanie or the Miramar...
ligya | June 10, 2012 2:50 PM
mi mi mi mi mi mi mi mi Robert Pattinson
mimimimmimmimimimimimi robert Pattinson
carol | June 1, 2012 11:57 AM
Falta robert pattinson , su trabajo fue espectacular!
MDL | May 29, 2012 11:39 PM
It's because critics are sheep too. Consensus is often built within a critical enclave that becomes a consensus because they say it is.
Elaine | May 29, 2012 3:09 PM
I honestly do not understand how there are not more mentions of Pattinson. He did a superb job.