BEST FEATURE
1. Amour (Love)
2. No
3. Cosmopolis
4. Post Tenebras Lux
5. Holy Motors
MOST DISAPPOINTING FILM
1. The Paperboy
2. Me and You (Moi et Toi)
3. The Hunt
4. Mud
5. On the Road
BEST LEAD PERFORMANCE
1. Denis Lavant, Holy Motors
2. Emmanuelle Riva, Amour (Love)
3. Gael Garcia Bernal, No
4. Quvenzhané Wallis, Beasts of the Southern Wild
5. Benoit Poelvoorde, Le Grand Soir
BEST SUPPORTING PERFORMANCE
1. Alfredo Castro, No
2. James Gandolfini, Killing Them Softly
3. Tom Hardy, Lawless
4. Edith Scob, Holy Motors
5. Albert Dupontel, Le Grande Soir
Jon Frosch, The Atlantic
BEST FEATURE
1. Amour (Love)
2. Holy Motors
3. Moonrise Kingdom
4. The Paperboy
5. Rust and Bone
MOST DISAPPOINTING FILM
1. Cosmopolis
2. Reality
3. After the Battle
4. Mud
5. Beyond the Hills
BEST LEAD PERFORMANCE
1. Jean-Louis Trintignant, Amour (Love)
2. Denis Lavant, Holy Motors
3. Emmanuelle Riva, Amour
4. Marion Cotillard, Rust and Bone
5. Nicole Kidman, The Paperboy
BEST SUPPORTING PERFORMANCE
1. Cristina Flutur, Beyond the Hills
2. Tom Sturridge, On the Road
3. Kristen Stewart, On the Road
4. Bruce Willis, Moonrise Kingdom
5. Macy Gray, The Paperboy
Clémentine Gallot, Cahiers du Cinema
BEST FEATURE
1. Holy Motors
2. Mud
3. Cosmopolis
4. Moonrise Kingdom
5. Beyond the Hills
MOST DISAPPOINTING FILM
1. Paradise: Love
2. Reality
3. The Paperboy
4. The Taste of Money
5. Rust and Bone
BEST LEAD PERFORMANCE
1. Denis Lavant, Holy Motors
2. Jean-Louis Trintignant/Emmanuelle Riva, Amour (Love)
3. Robert Pattinson, Cosmopolis
4. Kara Hayward, Moonrise Kingdom
5. Sam Riley, On the Road
Michael Ghennam, Les Fiches du Cinéma
BEST FEATURE
1. Amour (Love)
2. Holy Motors
3. Mud
4. Beasts of the Southern Wild
5. Beyond the Hills
MOST DISAPPOINTING FILM
1. Dracula 3D
2. 11.25 The Day He Chose His Fate
3. On the Road
4. Final Cut
5. Maniac
BEST LEAD PERFORMANCE
1. Denis Lavant, Holy Motors
2. Jean-Louis Trintignant, Amour (Love)
3. Émilie Dequenne, Loving Without Reason
4. Caleb Landry Jones, Antiviral
5. Cosmina Stratan, Beyond the Hills
BEST SUPPORTING PERFORMANCE
1. Emmanuelle Riva, Amour (Love)
2. Cristina Flutur, Beyond the Hills
3. Kang-woo Kim, The Taste of Money
4. Niels Arestrup, Loving Without Reason
5. Jérémie Renier, Elefante blanco (White Elephant)
Patrick Heidmann, Cineman
BEST FEATURE
1. Amour (Love)
2. Beasts of the Southern Wild
3. The Hunt
4. Rust and Bone
5. The Paperboy
MOST DISAPPOINTING FILM
1. Reality
2. Polluting Paradise (Müll im Garten Eden)
3. Cosmopolis
4. On the Road
5. Lawless
BEST LEAD PERFORMANCE
1. Emmanuelle Riva, Amour (Love)
2. Jean-Louis Trintignant, Amour (Love)
3. Mads Mikkelsen, The Hunt
4. Emilie Dequenne, Loving Without Reason
5. Matthias Schoenaerts, Rust and Bone
BEST SUPPORTING PERFORMANCE
1. Nicole Kidman, The Paperboy
2. Thomas Bo Larsen, The Hunt
3. Nathalie Baye, Laurence Anyways
4. Kristen Stewart, On the Road
5. John Henshaw, The Angels' Share
Eugene Hernandez, Film Society of Lincoln Center
BEST FEATURE
1. Amour (Love)
2. Holy Motors
3. Laurence Anyways
4. Reality
5. The Paperboy
MOST DISAPPOINTING FILM
1. After The Battle
2. Killing Them Softly
3. The Hunt (Jagten)
4. Rust and Bone
5. Roman Polanski: A Film Memoir
BEST LEAD PERFORMANCE
1. Tye Sheridan, Mud
2. Denis Lavant, Holy Motors
3. Emmanuelle Riva, Amour (Love)
4. Aniello Arena, Reality
5. Suzanne Clément, Laurence Anyways
Aaron Hillis, GreenCine Daily
BEST FEATURE
1. Holy Motors
2. Moonrise Kingdom
3. Rust and Bone
4. Cosmopolis
5. Amour (Love)
MOST DISAPPOINTING FILM
1. On the Road
2. Mekong Hotel
3. Lawless
4. Killing Them Softly
5. The Paperboy
BEST LEAD PERFORMANCE
1. Denis Levant, Holy Motors
2. Marion Cotillard, Rust and Bone
3. Quvenzhané Wallis, Beasts of the Southern Wild
4. Mads Mikkelsen, The Hunt
5. Margarethe Tiesel, Paradise: Love
BEST SUPPORTING PERFORMANCE
1. Jun-sang Yu, In Another Country
2. Guy Pearce, Lawless
3. Kylie Minogue, Holy Motors
4. David Oyelowo, The Paperboy
5. Viggo Mortensen, On the Road
HONORABLE MENTION (THE NEXT FIVE): Sightseers, Room 237, Ernest & Celestine, In Another Country, Gimme the Loot
7 Comments
Jordan Mintzer | June 12, 2012 11:16 AM
With the exception of Pablo Larrain's "No," I find it rather disappointing that this poll hardly bothers to mention or rate films that screened in the Directors' Fortnight and Critics' Week sidebars. How can one offer an opinion or wrap-up of Cannes by only covering the Official Selection and practically ignorning the other sections entirely? Haneke, Carax, Audiard, Reygadas, Weerasethakul, Nichols, Dolan and Loach all premiered their earliest works in either the DF or CW, and it's unfortunate that the critics surveyed here seemed to limit their coverage to the tenured auteurs of the Official Selection rather than seeking out those of the next generation at the Palais Stephanie or the Miramar...
ligya | June 10, 2012 2:50 PM
mi mi mi mi mi mi mi mi Robert Pattinson
mimimimmimmimimimimimi robert Pattinson
carol | June 1, 2012 11:57 AM
Falta robert pattinson , su trabajo fue espectacular!
MDL | May 29, 2012 11:39 PM
It's because critics are sheep too. Consensus is often built within a critical enclave that becomes a consensus because they say it is.
Elaine | May 29, 2012 3:09 PM
I honestly do not understand how there are not more mentions of Pattinson. He did a superb job.