Click to Skip Ad
Closing in...
First Reviews: 'Hail, Caesar!' Is the Coens at Their Best First Reviews: 'Hail, Caesar!' Is the Coens at Their Best A.O. Scott and Why It's a Critic's Duty to Be Wrong A.O. Scott and Why It's a Critic's Duty to Be Wrong Kristen Wiig's 'AbracaDeborah' Is the Non-Existent Sundance Movie Everyone's Talking About Kristen Wiig's 'AbracaDeborah' Is the Non-Existent Sundance Movie Everyone's Talking About Is There More to Louis C.K.'s 'Horace and Pete' Than Its Surprise Release? Is There More to Louis C.K.'s 'Horace and Pete' Than Its Surprise Release? Film Writers Narrowly Escape Tragedy in Sundance Accident Film Writers Narrowly Escape Tragedy in Sundance Accident Natalie Portman's Doomed Western 'Jane Got a Gun' Gets Shot Down by Critics Natalie Portman's Doomed Western 'Jane Got a Gun' Gets Shot Down by Critics 'Manchester by the Sea,' Indiewire's Sundance Critics Poll Winner, Is Part Tragedy, Part Farce 'Manchester by the Sea,' Indiewire's Sundance Critics Poll Winner, Is Part Tragedy, Part Farce New Classics: Greg Mottola's 'Adventureland' New Classics: Greg Mottola's 'Adventureland' Daily Reads: Why the Disney Vault Needs to Go Away, How the Republican Primaries Have Broken 'SNL,' and More Daily Reads: Why the Disney Vault Needs to Go Away, How the Republican Primaries Have Broken 'SNL,' and More Daily Reads: The 100 Jokes That Shaped Modern Comedy, When TV Drama Cover The Iowa Caucus, and More Daily Reads: The 100 Jokes That Shaped Modern Comedy, When TV Drama Cover The Iowa Caucus, and More The Totally Insane Ending to 'Little Boy' Has Critics Fuming The Totally Insane Ending to 'Little Boy' Has Critics Fuming Daily Reads: The 'Hollywood Blackout' Controversy at the 1996 Academy Awards, Everybody's a Critic and That's How it Should Be, and More Daily Reads: The 'Hollywood Blackout' Controversy at the 1996 Academy Awards, Everybody's a Critic and That's How it Should Be, and More Could 'The Hateful Eight' Kill Film Instead of Saving It? Could 'The Hateful Eight' Kill Film Instead of Saving It? Adam Sandler's 'The Ridiculous 6' Is Getting Some of the Year's Most Hilariously Scathing Reviews Adam Sandler's 'The Ridiculous 6' Is Getting Some of the Year's Most Hilariously Scathing Reviews One of the Best Movies of 2015 Is Now Available On Demand. (Also It's 16 Minutes Long.) One of the Best Movies of 2015 Is Now Available On Demand. (Also It's 16 Minutes Long.) 'Star Wars: The Force Awakens': Why Rey's Hypercompetence Is a Feature, Not a Bug 'Star Wars: The Force Awakens': Why Rey's Hypercompetence Is a Feature, Not a Bug 'The Gift': A Great Thriller (Almost) Ruined By a Terrible Ending 'The Gift': A Great Thriller (Almost) Ruined By a Terrible Ending New Classic: Asghar Farhadi's 'A Separation' New Classic: Asghar Farhadi's 'A Separation' Daniel Radcliffe's Farting Corpse Stars in the Movie That's Tearing Sundance Apart Daniel Radcliffe's Farting Corpse Stars in the Movie That's Tearing Sundance Apart IMDb Ranks the Top 25 Movies of the Last 25 Years IMDb Ranks the Top 25 Movies of the Last 25 Years

Early 'Dark Knight Rises' Reviews Bat-Signal Another Critical Hit For Christopher Nolan

Criticwire By Matt Singer | Criticwire July 16, 2012 at 11:04AM

The first wave of reviews for the Christopher Nolan's final Batman film have hit the Internet.
0
"The Dark Knight Rises."
"The Dark Knight Rises."

The embargo finally fell at midnight Pacific time, and "The Dark Knight Rises" reviews appeared. They are almost uniformly positive -- and even more than positive, they are almost uniformly gushy. As good as the previous two Batman films by Christopher Nolan? Most say yes, a few say no -- because it's even better than the previous two Batman films. Holy unreachable expectations, Batman!

To help kill time until Friday (or, let's be honest, Thursday at midnight), I've assembled as many early "Dark Knight Rises" reviews as I could find; fourteen nineteen in all so far (I'll keep adding more as they come in, at least through the early part of the week). If you're trying to avoid Bat-spoilers, you may want to click through with Bat-caution; don't call me the Bane of your existence if you find something you didn't want to read.

All right I think I've exhausted my supply of horrible puns. Here are the reviews.

Xan Brooks, The Guardian:

"Here is a film of granite, monolithic intensity; a superhero romp so serious that it borders on the comical, like a children's fancy-dress party scripted by Victor Hugo and scored by Wagner."

Justin Chang, Variety:

"Running an exhilarating, exhausting 164 minutes, Nolan's trilogy-capping epic sends Batman to a literal pit of despair, restoring him to the core of a legend that questions, and powerfully affirms, the need for heroism in a fallen world."

Robbie Collin, The Telegraph:

"The scope here is unashamedly novelistic, and although the plotting of the film’s first act is arguably muddled, Nolan’s sheer formal audacity means the stakes feel skin-pricklingly high at all times."

David Edwards, The Mirror:

"A dark, downbeat film populated by conflicted characters and with apocalyptic overtones."

Todd Gilchrist, The Playlist:

"A cinematic, cultural and personal triumph, 'The Dark Knight Rises' is emotionally inspiring, aesthetically significant and critically important for America itself -- as a mirror of both sober reflection and resilient hope."

Tim Grierson, Screen Daily:

"If there’s a slight sense of disappointment that this sequel can’t match the heights of the first two films, there’s no shame in a major studio tentpole daring to let its reach exceed its grasp."

Tom Huddleston, Time Out:

"Nolan creates a grand, dirty, engrossing world, and his action sequences just hum."

Bruce Kirkland, Toronto Sun:

"For audiences who want smart storytelling with their adrenaline rush, 'The Dark Knight Rises"... is as profoundly moving as it is dynamic."

Eric KohnIndiewire:

 "'The Dark Knight Rises' deserves credit for having the gall to speed right out of the gate and never fully slow down."

Christy Lemire, Associated Press:

"Christopher Nolan concludes his Batman trilogy in typically spectacular, ambitious fashion with 'The Dark Knight Rises,' but the feeling of frustration and disappointment is unshakable."

Matthew Leyland, Total Film:

"A smart, stirring spectacle that faces down impossible expectations to pull off a hugely satisfying end to business."

Todd McCarthy, Hollywood Reporter:

"Big-time Hollywood filmmaking at its most massively accomplished, this last installment of Christopher Nolan's Batman trilogy makes everything in the rival Marvel universe look thoroughly silly and childish."

Drew McWeeny, HitFix:

"I suspect that the reaction to the film will be hotly divided, but I'm firmly on the side that this is a triumph, a victory for all involved, and one of the year's most impressive efforts so far in any genre, on any subject."

Amy Nicholson, Box Office Magazine:

"'The Dark Knight Rises' is a fine film in a strong summer, but it lacks the spark that made its immediate predecessor a masterpiece."

Nev Pierce, Empire:

"'Rises' may lack the surprise of 'Begins' or the anarchy of 'Knight,' but it makes up for that in pure emotion."

David Poland, Movie City News:

"'The Dark Knight Rises' is, finally, the best of the Nolan Batman films."

Simon Reynolds, Digital Spy:

"'The Dark Knight Rises' is intelligent, heart-pounding spectacle cinema that grips like a vice from minute one and won't let go."

James Rocchi, Movies.com:

"The plot is impossibly convoluted from the outset, and hardly improves."

Jim Vejvoda, IGN:

"'The Dark Knight Rises' is a fitting emotional and narrative conclusion to this particular interpretation of the enduring story of Bruce Wayne the man and Batman the legend."

This article is related to: The Dark Knight Rises, Christopher Nolan


E-Mail Updates