Click to Skip Ad
Closing in...
'The End of the Tour' Sundance Reviews: Jason Segel Impresses as David Foster Wallace 'The End of the Tour' Sundance Reviews: Jason Segel Impresses as David Foster Wallace Why the Unanimous Praise for 'Boyhood' Is Bad for Film Criticism — and for 'Boyhood' Why the Unanimous Praise for 'Boyhood' Is Bad for Film Criticism — and for 'Boyhood' Daily Reads: The Epic Uncool of Philip Seymour Hoffman's Career, How Scarlett Johansson Subverts Her Good Looks and More Daily Reads: The Epic Uncool of Philip Seymour Hoffman's Career, How Scarlett Johansson Subverts Her Good Looks and More Cahiers du Cinema's Top 10 Movies of 2014: 'Goodbye to Language,' 'Under the Skin,' 'Love Is Strange' Cahiers du Cinema's Top 10 Movies of 2014: 'Goodbye to Language,' 'Under the Skin,' 'Love Is Strange' Love or Hate 'American Sniper,' We're Brought Together By Its Bad Fake Baby Love or Hate 'American Sniper,' We're Brought Together By Its Bad Fake Baby The A.V. Club's 25 Best Sitcom Episodes of the Past 25 Years: 'Seinfeld,' 'The Simpsons' and More The A.V. Club's 25 Best Sitcom Episodes of the Past 25 Years: 'Seinfeld,' 'The Simpsons' and More First Reviews of Johnny Depp's 'Mortdecai': Scraping Bottom With a Waxed Moustache First Reviews of Johnny Depp's 'Mortdecai': Scraping Bottom With a Waxed Moustache 'Girls' Outrage Tracker: Season 4, Episode 1, 'Iowa' 'Girls' Outrage Tracker: Season 4, Episode 1, 'Iowa' Not at Sundance? Watch 14 Festival Films Via Sundance's #ArtistServices Not at Sundance? Watch 14 Festival Films Via Sundance's #ArtistServices 'Girls' Outrage Tracker: Season 4, Episode 2, 'Triggering' 'Girls' Outrage Tracker: Season 4, Episode 2, 'Triggering' Now Streaming: 'The Interview' and Other Movies That Didn't Get Us Threatened Now Streaming: 'The Interview' and Other Movies That Didn't Get Us Threatened 'Strange Magic' Reviews: Yup, That's Late Period George Lucas, All Right 'Strange Magic' Reviews: Yup, That's Late Period George Lucas, All Right 'Going Clear' Sundance Reviews: A Scorching Takedown of Scientology 'Going Clear' Sundance Reviews: A Scorching Takedown of Scientology Meet the Indiewire | Sundance Institute Ebert Film Criticism Fellows, 2015 Meet the Indiewire | Sundance Institute Ebert Film Criticism Fellows, 2015 'Better Call Saul': 'Breaking Bad' Prequel Accepts the Charges 'Better Call Saul': 'Breaking Bad' Prequel Accepts the Charges The Scrambled Sexuality of 'Frozen's "Let It Go" The Scrambled Sexuality of 'Frozen's "Let It Go" Daily Reads: Movie Monsters That Look Like Genitalia, Why It Feels Like There's Too Much TV and More Daily Reads: Movie Monsters That Look Like Genitalia, Why It Feels Like There's Too Much TV and More 'Disney Deaths' and 'Big Hero 6': How Children's Stories Process Loss 'Disney Deaths' and 'Big Hero 6': How Children's Stories Process Loss 'Dope' Sundance Reviews: A Smart, High-Energy Comedy 'Dope' Sundance Reviews: A Smart, High-Energy Comedy Daily Reads: Stop Pitting 'Broad City' Against 'Girls,' How Political Pundits Warp 'American Sniper,' and more Daily Reads: Stop Pitting 'Broad City' Against 'Girls,' How Political Pundits Warp 'American Sniper,' and more

Letters to the Library of Congress: Viewers' Passionate, Personal Suggestions for the National Film Registry

Photo of Sam Adams By Sam Adams | Criticwire December 26, 2013 at 1:58PM

A staffer at the Library of Congress digs into the archives to show how people suggest movies for permanent preservation.
0
Jaws

The Library of Congress has already named its 25 additions to the National Film Registry for 2013. But at RogerEbert.com, Cary O'Dell, who works in the Library's Motion Picture, Broadcast and Recorded Sound Division, has a hugely enjoyable piece cataloguing some of the personal requests -- and occasional complaints -- the Library has gotten through the years. (That's one creative Spielberg's fan plea for Jaws at the head of this piece.) 

Although O'Dell's essay could stand to clarify the misperception that the National Film Registry is meant to represent the best films rather than the most historically significant ones, it's full of passionate and personal arguments about why certain films mean so much to certain people, like those for whom The Sand Pebbles reflects a connection to family members who served in the Vietnam War, as well as documents from the sporadic mass campaigns to admit movies like Somewhere in Time, spearheaded by a group called INSITE. (No luck there, sorry.) 

And then there are the complaints, like this one raging against a certain holiday classic: "How could you put that suicide movie with Jimmy Stewart on this list and leave out such happy Christmas movies as It Happened on Fifth Avenue?" How indeed.

The complete list of titles in the National Film Registry is here. What would you like to see them add?

This article is related to: From the Wire


E-Mail Updates