Click to Skip Ad
Closing in...
What Quentin Tarantino Gets Wrong About TV Critics What Quentin Tarantino Gets Wrong About TV Critics The Dissolve's Keith Phipps Will Be Uproxx's Film/TV Editor The Dissolve's Keith Phipps Will Be Uproxx's Film/TV Editor Criticwire Survey: The Worst Movie and TV Accents Ever Criticwire Survey: The Worst Movie and TV Accents Ever 'Fear the Walking Dead' Starts Slow, and Interest Is Already Waning 'Fear the Walking Dead' Starts Slow, and Interest Is Already Waning Daily Reads: Why Yale's Library Is Preserving VHS, Who Wins When a Brown Actor Plays a White Character, and More Daily Reads: Why Yale's Library Is Preserving VHS, Who Wins When a Brown Actor Plays a White Character, and More 'Manic Pixie Dream Girl' Is Officially Part of the English Language Now 'Manic Pixie Dream Girl' Is Officially Part of the English Language Now How 'Mr. Robot' Hacks TV's Empathy Machine How 'Mr. Robot' Hacks TV's Empathy Machine Joe Hill: Review Aggregrators Like Rotten Tomatoes Provide 'Confusion, Not Clarity' Joe Hill: Review Aggregrators Like Rotten Tomatoes Provide 'Confusion, Not Clarity' British Film Critic Was a Soviet Spy British Film Critic Was a Soviet Spy The Top-Rated Movies of 2015 So Far: Defying Conventions The Top-Rated Movies of 2015 So Far: Defying Conventions Real Life Hasn't Punished Jordan Belfort. Why Should 'The Wolf of Wall Street'? Real Life Hasn't Punished Jordan Belfort. Why Should 'The Wolf of Wall Street'? When You Laugh at Old Movies, the Joke Is On You When You Laugh at Old Movies, the Joke Is On You Daily Reads: Sexism Isn't Just a 'Straight Outta Compton' Problem, How Samuel L. Jackson Lost 'Reservoir Dogs,' and More Daily Reads: Sexism Isn't Just a 'Straight Outta Compton' Problem, How Samuel L. Jackson Lost 'Reservoir Dogs,' and More Daily Reads: What Colin Trevorrow Got Right About Female Directors, the Art of Cynical Sincerity in 'BoJack Horseman' and 'Rick and Morty,' and More Daily Reads: What Colin Trevorrow Got Right About Female Directors, the Art of Cynical Sincerity in 'BoJack Horseman' and 'Rick and Morty,' and More Amy Schumer, Meryl Streep and the State of the 'Strong Female Character' Amy Schumer, Meryl Streep and the State of the 'Strong Female Character' Noah Baumbach's Characters Are Still Coming of Age 20 Years Later Noah Baumbach's Characters Are Still Coming of Age 20 Years Later Daily Reads: 'Mistress America' and the Art of Making a Living as an Artist, How Summer TV Surprised Us, and More Daily Reads: 'Mistress America' and the Art of Making a Living as an Artist, How Summer TV Surprised Us, and More Daily Reads: How 'Straight Outta Compton' Fails Its Audience, Universal's Blockbuster Year Without Superheroes, and More Daily Reads: How 'Straight Outta Compton' Fails Its Audience, Universal's Blockbuster Year Without Superheroes, and More 7 Ways 'Terminator: Genisys' Is Everything That's Wrong With Movies 7 Ways 'Terminator: Genisys' Is Everything That's Wrong With Movies 'The Gift': A Great Thriller (Almost) Ruined By a Terrible Ending 'The Gift': A Great Thriller (Almost) Ruined By a Terrible Ending

National Society of Film Critics Love 'Amour'

Criticwire By Matt Singer | Criticwire January 6, 2013 at 8:27PM

With the Academy Award nominations just four days away, the National Society of Film Critics announced their own 2012 awards, topped by Michael Haneke's "Amour." It received three trophies: Best Actress (Emmanuelle Riva), Best Director (Haneke) and Best Picture.
0
"Amour."
"Amour."

With the Academy Award nominations just four days away, the National Society of Film Critics announced their own 2012 awards, topped by Michael Haneke's "Amour." It received three trophies: Best Actress (Emmanuelle Riva), Best Director (Haneke) and Best Picture.

The awards, voted on by "60 of the country's most prominent writers on film," also gave two prizes to "Lincoln" -- Daniel Day-Lewis for Best Actor and Tony Kushner for Best Screenplay -- and two to "The Master" -- Amy Adams for Best Supporting Actress and Mihai Malaimare Jr. for Best Cinematography. Here's the NSFC's full list of winners:

Best Picture: "Amour"
Best Director: Michael Haneke, "Amour"
Best Actor: Daniel Day-Lewis, "Lincoln"
Best Actress: Emmanuelle Riva, "Amour"
Best Supporting Actor: Matthew McConaughey, "Magic Mike"
Best Supporting Actress: Amy Adams, "The Master"
Best Nonfiction Film: "The Gatekeepers"
Best Screenplay: Tony Kushner, "Lincoln"
Best Cinematography: Mihai Malaimare Jr., "The Master"
Best Experimental Film: "This Is Not a Film"

One last note on the NSFC: per their press release, this year's awards "were dedicated to the late Andrew Sarris, one of the most original and influential American film critics as well as a founding member of the National Society." A nice tribute to one of the great movie lovers of all-time.

Other 2012 Critics Awards (Best Film Pick in Parenthesis)
-New York Film Critics Circle ("Zero Dark Thirty")
-Boston Online Film Critics Association ("Zero Dark Thirty")
-Los Angeles Film Critics Association ("Amour")
-Boston Society of Film Critics ("Zero Dark Thirty")
-New York Film Critics Online ("Zero Dark Thirty")
-Washington D.C. Area Film Critics Association ("Zero Dark Thirty")
-Las Vegas Film Critics Society ("Life of Pi")
-San Diego Film Critics Society ("Argo")
-Toronto Film Critics Association ("The Master")
-Chicago Film Critics Association ("Zero Dark Thirty")
-Detroit Film Critics Society ("Silver Linings Playbook")
-Kansas City Film Critics Circle ("The Master")
-San Francisco Film Critics Circle ("The Master")
-Southeastern Film Critics Association ("Argo")
-Austin Film Critics Association ("Zero Dark Thirty")
-Florida Film Critics Circle ("Argo")
-African-American Film Critics Association ("Zero Dark Thirty")
-Black Film Critics Circle ("Zero Dark Thirty")

This article is related to: 2012 Critics Polls


E-Mail Updates