"The Twilight Saga: Breaking Dawn - Part 2."
"The Twilight Saga: Breaking Dawn - Part 2."

After a couple weeks of really great home video releases, I guess the market was overdue for a less exciting week. There's a few recognizable names here, including an Oscar nominee and another title that everyone thought would be an Oscar nominee, but nothing that went over especially well with critics. It's certainly not on par with last week's lineup of "Holy Motors," "The Master," "How To Survive A Plague," and more. Nonetheless, here's this week's batch of notable home video titles:

"Wreck-It Ralph"
Criticwire Average: B (38 ratings)

"'Wreck-It Ralph' is consistently inventive, displaying a sturdy story structure that makes it more than just a simplistic romp for the Gen-X crowd." -- Matt Brunson, Creative Loafing

"The Intouchables"
Criticwire Average: B (32 ratings)

"This is entertainment, not real life, and the script is terribly patronizing, but Sy and François Cluzet have such genuine chemistry that racial dynamics take the back burner to a credible and affecting buddy movie." -- Pat Padua, DCist

"The Twilight Saga: Breaking Dawn - Part 2"
Criticwire Average: C (26 ratings)

"This one comes the closest to being accessible to non-fans...there seem to be, for the first time in the series, legitimate stakes, but again 'Breaking Dawn – Part 2' suffers from a bloated midsection and a surplus of characters who pop up because they were in the books but end up doing nothing." -- Corey Craft, Tuscaloosa News

"The Bay"
Criticwire Average: B- (31 ratings)

"Barry Levinson ('Good Morning Vietnam') brings a much needed dose of legitimacy to a generally dismissible found footage sub-genre with 'The Bay,' a horror film that’s as credibly constructed as it is incredibly scary." -- Tom Clift, Moviedex

Criticwire Average: B- (11 ratings)

"As a filmmaker, Donovan highlights the vast cultural and philosophical differences between these two characters through conversations that only occasionally sound schematic. As an actor, though, he gives a performance so relaxed—so absurdly nonchalant—that it zaps the scenario of any urgency." -- A.A. Dowd, Time Out Chicago