Click to Skip Ad
Closing in...
Daily Reads: Why No One Remembers "Avatar," the Best Blu-rays and DVDs of 2014, and more Daily Reads: Why No One Remembers "Avatar," the Best Blu-rays and DVDs of 2014, and more Criticwire Survey: Last-Minute Gifts for Movie Lovers Criticwire Survey: Last-Minute Gifts for Movie Lovers 'The Interview' Reviews: So How Is That Movie That We're Not Going to See? 'The Interview' Reviews: So How Is That Movie That We're Not Going to See? Star-Ledger's Stephen Whitty Loses His Staff Job Star-Ledger's Stephen Whitty Loses His Staff Job So Long, 'Stephen Colbert': How His Star-Studded Finale Sent Up and Outdid Talk-Show Schmaltz So Long, 'Stephen Colbert': How His Star-Studded Finale Sent Up and Outdid Talk-Show Schmaltz The Scrambled Sexuality of 'Frozen's "Let It Go" The Scrambled Sexuality of 'Frozen's "Let It Go" Numerical Proof that 'Boyhood' and 'Transparent' Were Critics' Overwhelming 2014 Favorites Numerical Proof that 'Boyhood' and 'Transparent' Were Critics' Overwhelming 2014 Favorites Cahiers du Cinema's Top 10 Movies of 2014: 'Goodbye to Language,' 'Under the Skin,' 'Love Is Strange' Cahiers du Cinema's Top 10 Movies of 2014: 'Goodbye to Language,' 'Under the Skin,' 'Love Is Strange' Why the Unanimous Praise for 'Boyhood' Is Bad for Film Criticism — and for 'Boyhood' Why the Unanimous Praise for 'Boyhood' Is Bad for Film Criticism — and for 'Boyhood' Sleeper of the Week: 'Maidan' Sleeper of the Week: 'Maidan' Kevin B. Lee's 'Better Than Boyhood': 'Goodbye to Language,' 'Dear White People' and More Kevin B. Lee's 'Better Than Boyhood': 'Goodbye to Language,' 'Dear White People' and More It's Official: HBO Is Remastering 'The Wire' in the Wrong Aspect Ratio It's Official: HBO Is Remastering 'The Wire' in the Wrong Aspect Ratio Sony's Chair Sends Racist Emails, Also Greenlights More Movies Starring Black Actors Than Anyone in Hollywood Sony's Chair Sends Racist Emails, Also Greenlights More Movies Starring Black Actors Than Anyone in Hollywood Beyond 'The Interview': 6 Movies About North Korea You Can Watch Right Now Beyond 'The Interview': 6 Movies About North Korea You Can Watch Right Now 'Disney Deaths' and 'Big Hero 6': How Children's Stories Process Loss 'Disney Deaths' and 'Big Hero 6': How Children's Stories Process Loss Why 'Star Wars: The Force Awakens' Fills Me With Dread Why 'Star Wars: The Force Awakens' Fills Me With Dread Why 'Spring Breakers' Is the Movie of the Year Why 'Spring Breakers' Is the Movie of the Year Watch: David Ehrlich's Top 25 Movies of 2014, a Video Countdown as Good as the Movies Themselves Watch: David Ehrlich's Top 25 Movies of 2014, a Video Countdown as Good as the Movies Themselves Film Comment's Best Movies of 2014: 'Boyhood' Plus 'Birdman,' Plus a Cotillard Twofer Film Comment's Best Movies of 2014: 'Boyhood' Plus 'Birdman,' Plus a Cotillard Twofer Daily Reads: 'The Interview' and the End of Satire, Why 'Selma' Matters Today and More Daily Reads: 'The Interview' and the End of Satire, Why 'Selma' Matters Today and More

Steven Soderbergh Has a Few Things to Say About Scorsese's 'After Hours,' Is a Fan of 'Smash'

Photo of Sam Adams By Sam Adams | Criticwire December 10, 2013 at 12:24PM

The director posts an essay and his 2012 viewing log
4
After Hours

Steven Sodebergh, who previously used his Extension 765 site to offer a defense of his favorite James Bond movie, uses his latest post to weigh in on Martin Scorsese's After Hours:

I saw this film half a dozen times at the Bon Marche Mall cinema in Baton Rouge when it was in its initial release, and it was a huge inspiration to me. Looking at it now, I can see why: the things that are great about it don’t/didn’t have anything to do with having a lot of money (Catherine O'Hara trying to confuse Griffin Dunne while he attempts to remember a phone number), so it seemed within reach to an aspiring young filmmaker growing up in a suburban subdivison. Sure, there’s plenty of the patented Scorsese formal flourishes, but nothing that can't be achieved with a standard Fisher dolly, and that's why it all seems possible; its humor, insight, style, and impact are built out of a series of brilliantly constructed small things (unless I'm mistaken, Scorsese hasn't made a cheaper dramatic feature since).

Although I've always found the hysterical castration anxiety laced through After Hours difficult to endure, it certainly makes for an interesting contrast to Scorsese's upcoming The Wolf of Wall Street, a lavish three-hour production that is anything but scrappy.

Soderbergh has also posted the latest in a series of media diaries, this one covering everything he read or saw in 2012. Worth perusing at leisure, but a few observations:

Soderbergh watched his own Magic Mike six times between January and early March. He watched Side Effects, then called Bitter Pill, eight times in June, and 15 more times during the rest of the year.

He saw Shane Carruth's Upstream Color, presumably an early cut, in March, 10 months before its Sundance premiere.

Among Soderbergh's regular TV viewing: SmashBossThe KillingMad Men, HomelandVeep and Girls. But does he think Patrick Wilson is too cute for Lena Dunham?

This article is related to: From the Wire


E-Mail Updates