Click to Skip Ad
Closing in...
The Availability Gap: What We Lose When Netflix Wins The Availability Gap: What We Lose When Netflix Wins Mysteries of Laura Review: Debra Messing on NBC Mysteries of Laura Review: Debra Messing on NBC Daily Reads: The 50 Worst Movies Ever Made, The Last Blockbuster Video Stores and More Daily Reads: The 50 Worst Movies Ever Made, The Last Blockbuster Video Stores and More New York Times TV Critic Writes Article About 'Scandal' Creator Shonda Rhimes as an 'Angry Black Woman' New York Times TV Critic Writes Article About 'Scandal' Creator Shonda Rhimes as an 'Angry Black Woman' Comparing Lena Dunham to Woody Allen Is Unfair — to Lena Dunham Comparing Lena Dunham to Woody Allen Is Unfair — to Lena Dunham 'No Good Deed' Reviews: And the Twist Is That It's Good! (Not Really) 'No Good Deed' Reviews: And the Twist Is That It's Good! (Not Really) Now Streaming: 'Silver Linings Playbook,' 'Beginners' on Netflix Now Streaming: 'Silver Linings Playbook,' 'Beginners' on Netflix 'Ocean's Twelve' Is a Great Sequel About How Hard It Is to Make a Great Sequel 'Ocean's Twelve' Is a Great Sequel About How Hard It Is to Make a Great Sequel Why the Unanimous Praise for 'Boyhood' Is Bad for Film Criticism — and for 'Boyhood' Why the Unanimous Praise for 'Boyhood' Is Bad for Film Criticism — and for 'Boyhood' 'A Walk Among the Tombstones' Reviews: A Liam Neeson Movie Worthy of Liam Neeson 'A Walk Among the Tombstones' Reviews: A Liam Neeson Movie Worthy of Liam Neeson Studio Cancels All Screenings of 'No Good Deed' to Preserve Shocking Twist That It's Probably Terrible Studio Cancels All Screenings of 'No Good Deed' to Preserve Shocking Twist That It's Probably Terrible Daily Reads: Alison Bechdel Likes Non-Bechdel Test Passing Movies, Terry Gilliam's Influence and More Daily Reads: Alison Bechdel Likes Non-Bechdel Test Passing Movies, Terry Gilliam's Influence and More 'Transparent' Reviews: Amazon's New Series Is a Game-Changer 'Transparent' Reviews: Amazon's New Series Is a Game-Changer David Lynch on 'Eraserhead,' Women in the TV Industry David Lynch on 'Eraserhead,' Women in the TV Industry Criticwire Classic of the Week: Werner Herzog's 'Aguirre, the Wrath of God' Criticwire Classic of the Week: Werner Herzog's 'Aguirre, the Wrath of God' 'The Expendables 3' Torrent and the Techno-Utopian Delusion 'The Expendables 3' Torrent and the Techno-Utopian Delusion Newspaper Graciously Offers to Run Aspiring Film Critics' Work Without Charging Them Newspaper Graciously Offers to Run Aspiring Film Critics' Work Without Charging Them 'While We're Young': Noah Baumbach's Xer-Millennial Comedy Ponders the Difference Between Sharing People's Lives and Stealing Them 'While We're Young': Noah Baumbach's Xer-Millennial Comedy Ponders the Difference Between Sharing People's Lives and Stealing Them Daily Reads: Why Toronto Is the Best Place for Female Filmmakers, In Praise of Fincher's Women and More Daily Reads: Why Toronto Is the Best Place for Female Filmmakers, In Praise of Fincher's Women and More The Scrambled Sexuality of 'Frozen's "Let It Go" The Scrambled Sexuality of 'Frozen's "Let It Go"

The Cannes 2013 Criticwire Cheat Sheet

Photo of Steve Greene By Steve Greene | Criticwire May 20, 2013 at 12:46PM

Your collection of film pages for all the titles playing at Cannes 2013.
0
Cannes 2013

Critics and audiences are now gathering in France for one of the world's most notable film festivals. (For a list of people to follow during the proceedings, look here.) We'll keep you updated on the popular films and critical favorites as Cannes progresses, but for anyone interested in seeing how things slowly develop, below is a list of pages for feature films playing in and out of competition. For your convenience, we've also included films from the Directors' Fortnight section (a part of the festival that last year gave us "No" and "Room 237").

The Films of the 2013 Cannes Film Festival:

"Ain't Misbehavin," directed by Marcel Ophuls
"All is Lost," directed by J.C. Chandor
"As I Lay Dying," directed by James Franco
"Ate ver la luz," directed by Basil da Cunha
"Bastards," directed by Claire Denis
"Behind the Candelabra," directed by Steven Soderbergh
"Bends," directed by Flora Lau
"Bite the Dust," directed by Taisia Igumentseva
"Blind Detective," directed by Johnnie To
"The Bling Ring," directed by Sofia Coppola
"Blood Ties," directed by Guillaume Canet
"Blue is the Warmest Colour," directed by Abdellatif Kechiche
"Blue Ruin," directed by Jeremy Saulnier
"Bombay Talkies," directed by Zoya Akhtar, Dibakar Banerjee, Karan Johar and Anurag Kashyap
"Borgman," directed by Alex van Warmerdam
"A Castle in Italy," directed by Valeria Bruni Tedeschi
"The Congress," directed by Ari Folman
"The Dance of Reality," directed by Alejandro Jodorowsky
"Death March," directed by Adolfo Alix, Jr.
"La Fille du 14 juillet," directed by Antonin Peretjatko
"Fruitvale Station," directed by Ryan Coogler
"Grand Central," directed by Rebecca Zlotowski
"The Great Beauty," directed by Paolo Sorrentino
"The Great Gatsby," directed by Baz Luhrmann
"Grisgris," directed by Mahamat-Saleh Haroun
"Heli," directed by Amat Escalante
"Henri," directed by Yolande Moreau
"Homeland," directed by Mohamed Hamidi
"Ilo ilo," directed by Anthony Chen
"The Immigrant," directed by James Gray
"Inside Llewyn Davis," directed by Ethan & Joel Coen
"La jaula de oro," directed by Diego Quemada-Diez
"Jimmy P. (Psychotherapy of a Plains Indian)," directed by Arnaud Desplechin
"Jodorowsky's Dune," directed by Frank Pavich
"The Last Days on Mars," directed by Ruairi Robinson
"The Last of the Unjust," directed by Claude Lanzmann
"Les Apaches," directed by Thierry de Peretti
"L'escale," directed by Kaveh Bakhtiari
"Like Father, Like Son," directed by Hirokazu Kore-eda
"Magic Magic," directed by Sebastian Silva
"Manuscripts Don't Burn," directed by Mohammad Rasoulof
"Max Rose," directed by Daniel Noah 
"Me, Myself and Mum," directed by Guillaume Gallienne
"Michael Kohlhaas," directed by Arnaud des Pallieres
"Miele," directed by Valeria Golino
"The Missing Picture," directed by Rithy Panh
"Monsoon Shootout," directed by Amit Kumar
"Muhammad Ali's Greatest Fight," directed by Stephen Frears
"My Sweet Pepper Land," directed by Hiner Saleem
"Nebraska," directed by Alexander Payne
"Norte, the End of History," directed by Lav Diaz
"Nothing Bad Can Happen," directed by Katrin Gebbe
"Omar," directed by Hany Abu-Assad
"On the Job," directed by Erik Matti
"Only God Forgives," directed by Nicolas Winding Refn
"Only Lovers Left Alive," directed by Jim Jarmusch
"The Past," directed by Asghar Farhadi
"Sarah Prefers to Run," directed by Chloe Robichaud
"Seduced and Abandoned," directed by James Toback
"The Selfish Giant," directed by Clio Barnard
"Shield of Straw," directed by Takashi Miike
"Stop the Pounding Heart," directed by Roberto Minervini
"A Strange Course of Events," directed by Raphael Nadjari
"Stranger by the Lake," directed by Alain Guiraudie
"The Summer of Flying Fish," directed by Marcela Said
"Tip Top," directed by Serge Bozon
"A Touch of Sin," directed by Jia Zhangke
"Ugly," directed by Anurag Kashyap
"Venus in Fur," directed by Roman Polanski
"Wakolda," directed by Lucia Puenzo
"We Are What We Are," directed by Jim Mickle
"Weekend of a Champion," directed by Frank Simon
"Young & Beautiful," directed by Francois Ozon
"Zulu," directed by Jerome Salle

Click through to the next page to see the films grouped by their current letter grade average.

This article is related to: Cannes Film Festival


E-Mail Updates