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Cannes Film Festival

  • Indiewire
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    Palme d'Or Winner 'Blue is the Warmest Color' Tops Indiewire's Cannes 2013 Critics Poll

    The romance that claimed the Palme d'Or is also a hit with critics. "Blue is the Warmest Color," Abdellatif Kechiche's look at lovers Emma and Adele topped the Best Feature list, while co-stars Adele Exarchopolous and Lea Seydoux received top marks for Best Lead Performance and Best Supporting Perfo...

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  • Criticwire
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    James Gray to Critics of 'The Immigrant''s Pace: "They Can Go F*** Themselves"

    "Movies are not barium enemas, you’re not supposed to get them over with as quickly as possible."

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  • Criticwire
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    'Blue is the Warmest Color' Tops Screen Daily's Annual Cannes Critics Poll

    The Palme d'Or winner was also the favorite among the ten international critics who saw and rated every film in this year's Cannes Competition.

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  • Indiewire
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    'The Immigrant' Director James Gray Tells His Cannes Critics To 'Go F*** Themselves' and Explains His Deeply Personal Connection to the Film

    Labeled "the most divisive film in Cannes competition" by Indiewire's Eric Kohn, James Gray's Marion Cotillard-starring period drama "The Immigrant" was among one of the most anticipated and ultimately debated films to play at the recently wrapped festival. Beloved by many for what Kohn described as...

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  • Indiewire
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    Here Are All of Indiewire's Reviews From the 2013 Cannes Film Festival

    From the Palme d'Or winning coming of age epic "Blue is the Warmest Color" to Steven Soderbergh's star-studded Liberace biopic "Behind the Candelabra" to James Franco's most ambitious directorial effort to date, Indiewire was on the scene at the 66th Festival de Cannes to review the bulk of the most...

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  • The Playlist
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    James Gray Reveals Details About His Developing Sci-Fi Thriller & The "Conceptual Brilliance" Of '2001'

    Following the premiere of “The Immigrant” in competition late last week (our review is here), we got to talk to director James Gray in Cannes. We’ll have more of his thoughts on the shaping of that film, on working with Marion Cotillard for the first time, and a few minor updates on some other upcom...

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    Cannes: While American Films Flatlined, Here Are the Highlights From Un Certain Regard

    It was a big year for American films in competition at the Cannes Film Festival, but in the neighboring Un Certain Regard section, they came and went with a whimper. Perhaps that's because they simply played it too safe in a section filled with daring creativity. Literally translated as "Of a Certa...

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  • The Playlist
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    Watch: Clips & Trailers From All The Cannes Winners Including 'Blue Is The Warmest Color,' 'The Past,' 'Inside Llewyn Davis' & More

    With the red carpets rolled up, the champagne corked and every available bed now vacant in the south of France, the Croisette is now back to being a hub of the bustling beach resort at least until next May when the frenzy of the Cannes Film Festival descends again. Over the weekend, the prizes were ...

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  • The Playlist
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    Cannes Review: ‘Stranger By The Lake’ An Impressively Controlled, Sexually Explicit Tale Of Gay Summer Love & Murder

    The scheduling of the Cannes Film Festival works in such a way that it’s rare that we get to see any film based on anything as spontaneous as peer recommendation unless it’s already been on our radar for a few weeks beforehand. But one film that did come to our notice by that route, and then had the...

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  • Thompson on Hollywood
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    Review: Douglas and Damon Shine in Soderbergh's Funny, Poignant Melodrama 'Behind the Candelabra'

    The Cannes Film Festival accorded Steven Soderbergh's lush period melodrama "Behind the Candelabra" a prime competition slot (his fourth) for a reason. While it's not the first time an HBO movie has played in the mainbar (Stephen Hopkins' "The Life and Death of Peter Sellers" was in competition in 2...

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