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Cannes Film Festival

  • Thompson on Hollywood
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    Cannes: First Clip from 'Max Rose,' Marking Jerry Lewis' Return to Movies After 18 Years (VIDEO)

    Check out this first clip from writer-director Daniel Noah's "Max Rose," which premieres at Cannes on May 23 and marks the big-screen return of legendary comedian Jerry Lewis. The film centers on an octogenarian jazz pianist (Lewis) who discovers an unsettling secret upon his wife's death.

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    Review Roundup: Critics Go Ga-Ga for Soderbergh's Outrageously Mesmerizing 'Behind the Candelabra'

    Critics are over the glittering, bedazzled moon for Steven Soderbergh's Cannes competition entry "Behind the Candelabra," set to premiere on HBO on May 26 and starring a no-holds-barred Michael Douglas and Matt Damon as the famed pianist Liberace and his younger lover, Scott Thorson. The Telegraph r...

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  • The Playlist
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    Cannes Review: Claire Denis Destined To Divide With Disturbing, Salacious 'The Bastards'

    If all art is only ever about sex and death, Claire Denis’ Un Certain Regard film “The Bastards” may be the most "artistic" one we’ve seen in Cannes to date, as it rolls around positively shamelessly in the musk of both. Or it may be a grubby little exercise in exploitation, depending on who you tal...

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  • Indiewire
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    Cannes: Suicide and Sexual Abuse Abound In Claire Denis' Frustratingly Muddled 'Bastards'

    Claire Denis' films are typically intimate dramas weighted with emotion, which makes it particularly dispiriting that "The Bastards," her eleventh feature, contains those ingredients without sufficiently pulling them together. A muddled revenge drama about family ties and traumatic experiences, the ...

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    Cannes Review: 'Behind the Candelabra' is Steven Soderbergh's Glamorous, Garish and Great Goodbye (For Now)

    "Behind the Candelabra," which premiered at Cannes today before heading to HBO on Sunday, May 26th at 9pm, is Steven Soderbergh's virtuoso swan song to filmmaking (at least for now), his final feature before stopping to focus on his painting.

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  • Criticwire
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    The 2013 Cannes Review Report: 'Behind the Candelabra'

    What critics are saying about Steven Soderbergh's new (final?) film about Liberace.

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  • Indiewire
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    Sex, Tears and Liberace: Steven Soderbergh, Matt Damon and Michael Douglas Go 'Behind the Candelabra' at Cannes

    Adding more decadence to an already glamorous event, Steven Soderbergh's fabulous (in all senses of the word) Liberace biopic, "Behind the Candelabra," premiered this morning at Cannes the way American audiences won't be able to see it -- on the big screen. The HBO production, which airs May 26 (it'...

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  • The Playlist
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    Cannes Review: Steven Soderbergh's 'Behind The Candelabra' Puts Dazzling Entertainment On Top Of Toxic Relationship

    It's almost unfair how easy Steven Soderbergh makes it look. As the filmmaker heads into his hiatus from movie-making, he's spent the few last years dipping between high grade entertainment ("Magic Mike") and accomplished genre films ("Side Effects," "Haywire") and for his goodbye, he's more or less...

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  • Thompson on Hollywood
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    Cannes Film Fest Diary 3: Seduced by 'The Past,' Abandoned by a Brazilian Beach Bikini Party

    At 8:30am Friday morning, I got it. What Cannes is truly all about. You get something in theory, and then there’s the moment you get it through experience. Asghar Farhadi’s “The Past” had just begun, and I thought back to what a friend said was the real reason to attend Cannes: because you see the b...

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  • The Playlist
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    Cannes Review: The Rich Also Cry In Valeria Bruni-Tedeschi’s 'A Castle In Italy'

    It’s hard not to read a degree of self-justification into Valeria Bruni-Tedeschi’s (mostly) French-language comedy-drama “A Castle In Italy,” so we’re not really going to try. We took notice of the film in advance mainly because it made headlines as the Cannes Competition’s sole entry from a female ...

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