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Cannes Film Festival

  • ReelPolitik
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    Cannes Good-Buys? Should Indie filmmakers be worried about distribution landscape

    File this post under the politics of filmmaking (not film and politics). Looking at the acquisition landscape after Cannes got me thinking: Should filmmakers be worried? Cannes is never the business hotbed that is Sundance, but this year's number of purchases seemed to be muted. Even IFC Film...

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  • Criticwire
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    Criticwire at Cannes: The Top Films and Performances Poll

    "Amour" and "Holy Motors" close out Cannes as the Criticwire favorites, but what gangsters and singers also made the best of the festival lists? And which films drew both applause and disappointment?

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  • The Playlist
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    The Playlist's Complete Coverage Of The 2012 Cannes Film Festival

    Cannes is done for another year. Exhausted filmmakers, writers and sales types have pretty much emptied out of the South of France, Michael Haneke has his second Palme D'Or in four years, and some of the most anticipated films of the year have been unveiled. The lineup had been incredibly eagerl...

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  • Indiewire
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    Everything You'd Ever Want to Know About the 2012 Cannes Film Festival

    The 2012 Cannes Film Festival ended Sunday with Michael Haneke winning his second Palme d'Or for his acclaimed drama "Amour." Indiewire was on the scene for the 65th edition to report on the latest acquisitions, review the anticipated titles, and interview many of the artists. Below fi...

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  • The Playlist
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    Cannes: Kristen Stewart & Garrett Hedlund Talk Making Walter Salles' 'On The Road'

    If any film at Cannes this year faced the most fevered anticipation, it was Walter Salles' "On The Road." Not just because the project had been over thirty years in the making, and was based on a beloved, groundbreaking novel, but also because it features an exciting young cast lead by "Twilight" st...

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  • Shadow and Act
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  • Thompson on Hollywood
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    Cannes Review: Cronenberg's Dystopian "Cosmopolis" Stars Pattinson as Dissolute Master of the Universe

    "Life is too contemporary," Didi Fancher (Juliette Binoche) tells Eric Packer (Robert Pattinson) after they've just had sex in the back of his limousine. That seems to be the global concern in "Cosmopolis," a headlong plunge into a dystopian urban milieu of greed, corruption, technology, nihilism, y...

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  • Thompson on Hollywood
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    Cannes Virgin Diary 5: Post-Festival Reflections, "Holy Motors"

    Cannes is over, and I'm writing this on a train to Paris. Today, all the films in the main competition were screened once more so had I elected to stay another night in Cannes, I could have seen everything I wanted. But instead, I chose to end my time at Cannes with one film: Leos Carax's "Holy Moto...

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  • Indiewire
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    Cannes 2012: A Guide to All The Films

    The 2012 Cannes Film Festival has offered a cinephile's dream of a program, with the likes of David Cronenberg, Jacques Audiard, Wes Anderson, Michael Haneke, Alain Resnais, Abbas Kiarostami, Im Sang-soo, Thomas Vinterberg, Walter Salles, Xavier Dolan, Ken Loach, Carlos Reygadas, Leos Carax, Cri...

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  • Thompson on Hollywood
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    Cannes 2012: Best Actor Winner Mads Mikkelsen Talks Vinterberg's "The Hunt," T-Mobile Film "Move On," Playing a Psycho Husband

    Mads Mikkelsen was in Cannes to promote two projects. The first, Competition entry, "The Hunt," marks a strong return to form for Thomas Vinterberg and features a potent performance from the Danish actor as a mild-mannered kindergarten teacher whose life is turned upside down by an arbitrary accusat...

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