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Cannes Film Festival

  • Indiewire
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    IFC Midnight Buys Im Sang-Soo's Sexy Cannes Competition Title 'The Taste of Money'

    IFC Midnight is buying North American rights to Im Sang-Soo's provocative Cannes Film Festival competition title "The Taste of Money." "The Taste of Money" goes inside a privileged Korean family in which a private male secretary is the subject of lust by his employer, a ...

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    'Despues de Lucia' Leads Cannes' Un Certain Regard Winners

    Michel Franco's "Despues de Lucia" led the winners of the Un Certain Regard section of the 2012 Cannes Film Festival, taking its top prize.

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  • The Playlist
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    Cannes Review: Sprawling 'Hemingway & Gellhorn' Worthy Of The Rough & Tumble Life Of Two Great Writers

    Ernest Hemingway is the kind of grandiose figure that it seems it would be difficult to contain within the framework of a feature film, and the decision to pair his life with that of his ex-wife Martha Gellhorn only adds to the task at hand. But with the leisure of a two-and-a-half hour running time...

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  • Thompson on Hollywood
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    Cannes 2012: "Mud" Review Round-Up

    For many critics "Mud," Jeff Nichols' follow-up to well-reviewed "Take Shelter," which won the Critics' Week Cannes sidebar last year, was one of the most highly anticipated films this year. It is also one of the few films, along with Lee Daniels' "Paperboy," that is up for grabs by American distri...

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    CANNES REVIEW: Cannes Critics' Week Winner 'Aqui y Alla' Establishes Antonio Mendez Esparza as a New Directing Talent

    CANNES REVIEW: Cannes Critics' Week Winner 'Aqui y Alla' Establishes Antonio Mendez Esparza as a New Directing Talent

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  • The Playlist
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    Cannes Review: 'Mud' Starring Matthew McConaughey Is An Underwhelming Anti-Fairy Tale

    "Mud," American writer/director Jeff Nichols' underwhelming follow-up to the masterfully visceral "Take Shelter," is a shallow and contrived coming of age story. While both 'Shelter' and "Shotgun Stories," Nichols' promising debut feature, explore their respective characters' motives and emotions, "...

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    The Doc Corner at Cannes and a Pick-Up

    The Doc Corner, a new initiative of Marche Directeur Delegue, Jerome Paillard, is designed to help Marche participants to find distribution, sales and festival play for their feature length (70 minutes plus) documentary new and completed films.

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  • Thompson on Hollywood
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    Oscar Talk Is Back! Special Cannes Edition

    My computer was running out of juice after hours in the Cannes Palais press room, and my headset was broken. But somehow, Kris Tapley, Guy Lodge and I reconvened for our first Oscar Talk podcast since Oscar season.

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  • Press Play
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    CANNES 2012: David Cronenberg's COSMOPOLIS

    For a Cronenberg film, "Cosmopolis" is light on violence and body horror, but the director’s obsession with evolving ideas and tainted perspectives remains on full display.

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  • The Playlist
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    Pablo Larrain's 'No' Starring Gael Garcia Bernal Takes Top Prize At Cannes Directors' Fortnight

    It has been one helluva week for Pablo Larrain. Easily one of the most buzzed-about movies on the Croisette -- and it wasn't even in the proper festival lineup, playing the Directors' Fortnight instead -- the biggest question being asked among those who saw and fell in love with "No" was how the Can...

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