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Toronto International Film Festival

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    Watch: New Trailers, Clips for TIFF Selections 'We Are The Best,' 'Art of the Steal,' 'Starred Up' & More

    Based off of the steady stream of crowd-pleasers, critical darlings, and uneven oddities that hit Toronto this past week, the Toronto International Film Festival could already be considered a runaway success. But an entire week more of cinematic gifts await, and we've got clips and trailers for a sl...

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    Toronto Review: Godfrey Reggio Celebrates 30 Years Since 'Koyaanisqatsi' With Extraordinary Philip Glass-Scored 'Visitors'

    Thirty years have passed since the release "Koyaanisqatsi," Godfrey Reggio's first installment in his memorably abstract Qatsi trilogy, which captured the complexity of civilization through a gripping rush of images aided by an equally potent Philip Glass score. While the power of that project hasn'...

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    Why Mia Wasikowska Has Stuck to Indies Following 'Alice in Wonderland'

    Mia Wasikowska talks to Indiewire about why she's drawn to fiercely independent female characters.

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    TIFF Review: Wild & Vulgar 'Dom Hemingway' Starring Jude Law

    "A man with no options suddenly has all the options in the world," goes the liquor-soaked advice of Dom Hemingway (Jude Law). And while he admits that he has no idea what that actually means, he nonetheless lives that credo to the fullest in Richard Shepard's wickedly wild and vulgar "Dom Hemingway....

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    Adèle Exarchopoulos Addresses the 'Blue is the Warmest Color' Daily Beast Controversy and the Film's Sex Scenes

    Relative newcomer Adèle Exarchopoulos was the belle of Cannes this year for her breakthrough and baring turn in "Blue is the Warmest Color." Her performance opposite Léa Seydoux as a teenager coming to grips with her homosexuality was so strong it caused the Jury, led by Steven Spielberg, to award t...

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    TIFF Review: Nicole Holofcener's 'Enough Said' Starring James Gandolfini & Julia Louis-Dreyfus

    The one constant surprise about getting older is that the ongoing lesson you soon learn is that you'll never figure it all out. Whatever you seemed confident and sure about at twenty becomes more nuanced by thirty and by the time you're seeing forty on the horizon, what was important two decades ago...

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    Toronto Review: Eli Roth Brings Shock, But Few Surprises, to Gross-out Cannibal Tribute 'The Green Inferno'

    For horror fans, Eli Roth and cannibal movies both bring a set of expectations that are met by "The Green Inferno," modern shockmeister Roth's first feature since 2007's "Hostel II." The cannibal genre that came and went in the seventies and eighties was known less for the quality of filmmaking than...

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    TIFF Review: Denis Villeneuve’s ‘Enemy’ Starring Jake Gyllenhaal Is A Haunting Look At Our Dark Desires

    At the risk of blatantly repeating ourselves, Jake Gyllenhaal and director Denis Villeneuve are on the cusp of a banner 2013 that is about to hit its crest. Their first-unveiled collaboration, the harrowing, Fincher-with-more-emotional-resonance crime thriller “Prisoners” has already bruised audienc...

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    Watch the Toronto Film Festival's Moving Tribute to Roger Ebert

    Watch the Toronto Film Festival's Moving Tribute to Roger Ebert

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    TIFF Review: Richard Ayoade's Daring 'The Double' Starring Jesse Eisenberg & Mia Wasikowska

    When Richard Ayoade arrived in 2010 with his charming tale of adolescence and young romance with the stylish "Submarine," the picture was immediately greeted with rather reductive comparisons to Wes Anderson. It was an unfair assessment levelled at the movie and filmmaker—even from those who champio...

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