Danny Retz has been a Hollywood film editor for nearly three decades. His 50 features include "RoboCop," "Cutthroat Island" and "Collateral Damage." For the last several years, though, steady work has proven elusive. For an increasing number of people working in the movie industry, some of the best jobs no longer carry the "Made in California" label. Over the last two decades, scores of movies have left town in search of the cheapest labor, weakest currencies and best financial incentives. At first, producers fled to Canada. Then they set off for more distant lands, such as Australia, England and, more recently, Eastern Europe. John Horn reports in the Los Angeles Times.