More Comic Book Movies Helmed By Indie Auteurs

watchmen.jpg After the huge financial success of the Spider-man and X-Men movies, it is no surprise that Hollywood has numerous comic book adaptions in the works. Marvel has over a dozen projects planned, and DC is finally getting on the ball with new Batman and Superman movies.

It is great to see that more care than usual is being taken in finding directors that understand the medium and budgets to support the vision. (See the Roger Corman FANTASTIC FOUR and the current CATWOMAN on how to not make a comic book movie.)

With Bryan Singer (THE USUAL SUSPECTS) helming the new Superman movie, Christopher Nolan (MEMENTO) shooting BATMAN BEGINS, Robert Rodriguez (EL MARIACHI) with comic book creator Frank Miller on SIN CITY, and Darren Aronofsky (PI) with two projects, WATCHMEN and LONE WOLF AND CUB, Hollywood is entrusting some of the biggest indie film auteurs of the past decade for their big budget, CG heavy summer vehicles. Hopefully this will mean smarter films with a respect for the fans and the source material.



Comics Aren't Just For Kids, Duh.

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There probably isn't a form of entertainment in America more misunderstood than comic books. In the 80's, writers such as Alan Moore and Frank Miller created intelligent, revisionist versions of Daredevil, Batman, and Swamp Thing, but every newspaper still couldn't resist "Wham! Zap! Pow! Comics Aren't Just For Kids" type headlines about this "new" interest from those above the age of 12.

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Rodriguez departure from DGA to co-direct SIN CITY threatens Paramount project

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Variety reports that Robert Rodriguez's departure from the Directors Guild of America to co-direct the hard-boiled comic book SIN CITY with creator Frank Miller has jeopardized him being about to helm A PRINCESS OF MARS because of Paramount's agreement to employ only DGA directors. Rodriguez is refusing to back down because of his passion for SIN CITY and for working with Frank Miller, who apparently has refused anyone rights to his comic book unless he is signed on as co-director.

The DGA gives waivers for co-directors, though rarely. According to the DGA Associate National Executive Director Warren Adler (per DGA's website) "it is a difficult waiver to get for directing feature films and dramatic television. It must be proven that the two can direct as a unit. They aren’t permitted to divide up the work but must function together on everything.” Most of the waivers have went to siblings like Andy and Larry Wachowski (THE MATRIX trilogy), Bobby and Peter Farrelly (DUMB AND DUMBER, THERE'S SOMETHING ABOUT MARY) and Albert and Allen Hughes (MENACE II SOCIETY, FROM HELL).

It’s understandable the need for the DGA to protect a very important credit. Just look at how the screenwriter's credit has been weakened with every first-time Hollywood hack claiming "A film by" on movie posters. Regardless, it seems a bit ridiculous that filmmakers can't break up or share directing responsibilities in a way they deem fit for a project. The DGA co-director credit should be revised to allow unique directing collaborations and cases such as SIN CITY where Frank Miller just wants some control over his creation and Rodriguez is happy to oblige.



Controversial Cerebus creator Dave Sim

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There's a fascinating inteview in the AV Club of this week's Onion with Dave Sim, the controversial creator of Cerebus, a comic book that he has been self-publishing for the past 25 years. What started out as a parody of Conan the Barbarian grew into long, intricate storylines involving a character who, as The Onion interview states, is "a foul-tempered anthropomorphic aardvark, who has been a mercenary warrior, a politician, a religious leader and scholar, a revolutionary, a professional sports player, a bartender, and a comic-book fanboy, among many other roles."

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