Batman Begins, For Real This Time

christian_bale5.jpg I saw Batman Begins at a press screening last week and it is without a doubt the best Batman movie (and perhaps best comic book film adaptation) made so far. This is the first film based on a superhero character that really evokes the feeling of the books, with "Batman: Year One" and "The Long Halloween," seeming to be the biggest inspiration for Director Christopher Nolan.

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Metallica doc

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I attended a press screening of the new Joe Berlinger / Bruce Sinofsky doc, Metallica: Some Kind of Monster last night. Besides bringing back memories of my high school days of headbanging to "Kill 'Em All" in my friend Sam's bondo-scarred 1978 Oldsmobile Cutlass, I also found it to be an insightful look into how a band that has been together for twenty years struggles to write their new album while also tending to old wounds of ego and jealousy. What begins as a humorous take of headbangers in therapy grows into an indepth view of the difficulties of creative collaboration and how to continue to write aggressive music while maintaining healthy relationships. Even those not into guitar heavy, melody-free slabs of guitar thrash will appreciate the craftsmanship and discipline the band puts towards their music and dedication towards their fans, though it'll be interesting to see how the more aggro members of their hardcore tribe will react to seeing not a concert doc but a film with Lars and James discussing their feelings with a $40,000 a month therapist.



Go See Guy Maddin's super 8 spectacle SADDEST MUSIC this weekend!

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Guy Maddin's latest, THE SADDEST MUSIC IN THE WORLD, opens this weekend. I saw it at a press screening recently and was very impressed. I liked the kinetic pace, the imaginative characters, and how he chose to capture it all in gloriously grainy super 8, giving it the feeling of a lost film from the 1920's being projected in a snow globe. NY Times critic A.O. Scott says the film is "a strangely joyful spectacle of lamentation and misery" and "a tribute to, and a sendup of, old movies that never quite existed."



GARDEN STATE Falls Flat

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I had the opportunity to see an advance screening of GARDEN STATE last night and was terribly disappointed. Zach Braff (who starred and directed) plays Andrew Largeman, a depressed, over medicated actor who comes home for his mother's funeral and begins to reconnect with his friends and estranged father. The film's opening is promising, hinting at a dry wit reminiscent of THE GRADUATE and HAROLD AND MAUDE but quickly falters, with a weak script that feels more like a collection of scenes where Braff gets to roll his eyes at those crazy, kooky inhabitants of suburban New Jersey. The stockpile of supporting characters are never developed beyond their eccentricities. They are used primarily for comic punch lines or to provide background in over stylized settings for the developing relationship between Braff and Sam (Natalie Portman), which, while being sincere, is annoyingly trite, with the two primarily standing around exclaiming melodramatic, quirky things about themselves. Portman oddly seems like a lanky, twelve-year old girl, leaving one to question what Braff sees in her in the first place. Their relationship is reminiscent of Jim Carrey's and Kate Winslet's in the far superior ETERNAL SUNSHINE OF THE SPOTLESS MIND, with Carrey playing the shy, damaged man and Winslet the eccentric, charming girl. But Carrey and Winslet's interactions are natural and incredibly poignant, while Braff and Portman's are weakened by heavy exposition and forced staging. It's a shame that the film falters so badly, as Braff has a nice on screen presence and a good directorial eye for interesting shots, but definitely could learn a thing or two from Charlie Kaufman about structure and sublety.