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SCREEN RUSH
Introspective Ramblings by Eric Kohn
Screen Rush is the blog of film critic and journalist Eric Kohn, whose work regularly appears in indieWIRE, New York Press, Filmmaker, Moviemaker, Heeb Magazine and a half dozen other outlets. A true twenty-first century movie buff, his writing centers around the impact of new media on the moving image, the changing face of film criticism, and the tempestuous relationship between pop culture and independent artistry. This site includes links to his recently published work and allows for additional thoughts on cinema's modern state. E-mail Eric at erichkohn(at)gmail(dot)com.
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    Ebert’s “Dark Knight” Review. Batman’s Politics.

    batman beats joker.jpg
    In his review of The Dark Knight (four stars—who’da thunk it?), Roger Ebert notes that a certain supporting character in the movie takes a stance that “has current political implications.”

    No fooling. The grander themes at work in The Dark Knight revolve around universal concepts about what makes society tick (or explode), but there is one brief allusion that should be cited in the upcoming presidential debates, and it involves the issue of wiretapping.

    It’s hard to say whether or not the Nolan brothers thought this one through when they devised the screenplay, since we’re talking about a relatively small component of the plot here, but it’s still far more overt than, say, “Only a Sith deals in absolutes.”

    It comes back to this idea of Batman as this crazed fundamentalist, an angle the movie approaches but never quite realizes, probably because many audiences would have a hard time with it if the character were difficult to empathize with. It’s another reminder why Frank Miller’s The Dark Knight Returns offers the best Batman story ever told: He makes Superman look like a wuss.

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