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kohn
Introspective Ramblings by Eric Kohn
Screen Rush is the blog of film critic and journalist Eric Kohn, whose work regularly appears in indieWIRE, New York Press, Filmmaker, Moviemaker, Heeb Magazine and a half dozen other outlets. A true twenty-first century movie buff, his writing centers around the impact of new media on the moving image, the changing face of film criticism, and the tempestuous relationship between pop culture and independent artistry. This site includes links to his recently published work and allows for additional thoughts on cinema's modern state. E-mail Eric at erichkohn(at)gmail(dot)com.
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    “The Humpday Effect.”


    It goes without saying that the Oscars leave a lot of great movies out in the cold every year. But which ones? By making a few broad generalizations and examining some of the promising American indies from 2009 that haven’t made the big grab for the gold this season, I’ve boiled the whole thing down to a single formula that I call—wait for it—The Humpday Effect. From a post that went up today on Vanity Fair‘s Little Gold Men blog:

    Oscar snubs tend to generate notice around this time of year due to their absence from the ubiquitous awards season frenzy. But these noticeable omissions, which currently include Anvil! The Story of Anvil (which failed to make the Academy’s documentary shortlist) and Sam Rockwell for his dual performances in Moon, at least have a fair amount of support in favor of their inclusions. By comparison, a number of well received indie movies barely ever had a chance of being nominated, no matter how many people would have liked to see it happen. These specialty titles lack both the money and big names that could help get them into the race. With virtually no traction in the industry, they sit on the sidelines by default.

    Read more here.


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