by Sam Wasson (HarperStudio)
This splendid new book is more than a mere “making-of” chronicle. It examines Breakfast at Tiffany’s in a variety of contexts, including the careers of its principals (Truman Capote, Audrey Hepburn, Blake Edwards, Henry Mancini, Edith Head, et al), the state of American mores in the early 1960s, society’s view of single women at that time, and the exigencies of the still-potent Production Code in Hollywood.
To accomplish all this, Sam Wasson decided to tell his story from the inside out, attempting to get inside the heads of his central characters. This approach involves considerable presumption on the author’s part, but—
Director Lee Unkrich says that when he embarked on this film he watched every movie he could find with a “3” in its title, hoping to find a good one he could use as a role model. He came up empty-handed. Perhaps that’s one reason he and his colleagues at Pixar put so much effort into this sequel—to validate its existence. It’s that work ethic, along with creativity and seemingly boundless imagination, that makes Toy Story 3 so good.
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