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Leonard Maltin

Hollywood’s First 3-D Revolution

  • By Leonard Maltin
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  • May 31, 2012 2:05 PM
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  • 4 Comments
As 3-D continues to amuse, bemuse, frustrate, and bilk the moviegoing public, little attention is paid to the sweeping events that dominated the year 1953, when the medium revolutionized Hollywood for a tantalizingly brief period of time. There is so much misinformation about the first great wave of 3-D that Bob Furmanek has recently re-launched his 3-D Film Archive website and packed it with fascinating, must-see material for 3-D buffs and neophytes alike.

My Life As A Mankiewicz: An Insider’s Journey Through Hollywood

  • By Leonard Maltin
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  • May 29, 2012 3:00 AM
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  • 5 Comments
If you love Hollywood anecdotes—not the same old stuff you’ve heard before but fresh material, related first-hand by a master storyteller—you simply must get this book. I didn’t so much read as devour it, and now I feel impelled to tell everyone I know how good it is.

Men In Black 3—movie review

  • By Leonard Maltin
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  • May 25, 2012 1:25 AM
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  • 5 Comments
The first follow-up to 'Men in Black', ten years ago, seemed to be running on empty. It was the embodiment of everything that’s wrong with sequels, whereas this one won me over completely. Why? For one thing, after a decade’s absence, I enjoyed revisiting the characters of Agents J (Will Smith) and K (Tommy Lee Jones) and their alternate-reality version of New York City, where the population is dotted with bizarre-looking aliens, designed by makeup whiz Rick Baker.

Moonrise Kingdom—movie review

  • By Leonard Maltin
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  • May 25, 2012 1:25 AM
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  • 17 Comments
I really wanted to like this film. I respect Wes Anderson and his distinctive voice as a writer-director ('Rushmore' is one of my favorite films of the 1990s), but this latest endeavor is so precious and self-aware that it nearly smothers itself.

The Intouchables—movie review

  • By Leonard Maltin
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  • May 25, 2012 1:24 AM
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  • 2 Comments
Last year, Harvey Weinstein brought a French film called 'The Artist' to the U.S. and wound up with an armful of Academy Awards. This year he’s presenting another Gallic import that not only was a box-office smash, but features Omar Sy, who beat out Jean Dujardin for the Best Actor prize at the César Awards...

John Huston’s “LIGHT” Online

  • By Leonard Maltin
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  • May 24, 2012 3:01 AM
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  • 4 Comments
Striking a blow for film preservation, and widespread access to films once they are properly restored, the National Film Preservation Foundation is now streaming John Huston’s long-suppressed 1946 documentary 'Let There Be Light' on its website.

Real & Faux Silent Footage Worth Watching

  • By Leonard Maltin
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  • May 21, 2012 2:27 PM
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  • 15 Comments
YouTube has unearthed a treasure trove of film footage, aside from videos of cats roller-skating: precious moments of W.C. Fields on Broadway, The Three Stooges fooling around in Atlantic City, and a contemporary comedy short that predates 'The Artist' in its attempt to replicate the silent era.

Battleship—movie review

  • By Leonard Maltin
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  • May 18, 2012 3:21 AM
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  • 20 Comments
Finally, Hollywood has produced a movie for people who found the 'Transformers' series too intellectually challenging. This shouldn’t come as a complete surprise, since 'Battleship' is not based on a novel, or a magazine article, but a board game.

What To Expect When You’re Expecting—movie review

  • By Leonard Maltin
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  • May 18, 2012 3:17 AM
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  • 0 Comments
I’m as susceptible as anyone to watching highly attractive people onscreen, which this movie has in abundance, but it took time for 'What to Expect When You’re Expecting' to win me over. I found some of its multiple storylines annoying and hopelessly contrived, at first; it’s only toward the end, when the film draws from real life, that it finds its heart and becomes relatable for anyone who has been through pregnancy or parenthood.

Hysteria—movie review

  • By Leonard Maltin
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  • May 18, 2012 3:14 AM
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  • 2 Comments
Understandably, this R-rated comedy is being promoted as the story of how the vibrator came to be invented. That’s not untrue, but what makes 'Hysteria' so entertaining is the larger picture it paints of repressed Victorian society. That it does so in the form of a farcical comedy makes it all the more enjoyable.