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A Night In Old Mexico

Leonard Maltin By Leonard Maltin | Leonard Maltin May 16, 2014 at 2:42PM

It’s fairly plain that "A Night in Old Mexico" is a vehicle for Duvall, and as such it’s thoroughly enjoyable; watching him is a genuine treat.
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Robert Duvall-Angie Cepeda-Night-Old Mexico-485
Photo Courtesy of Phase 4 Films

Robert Duvall is reason enough to see almost any movie, and he’s in fine form in a role tailor-made for him by Bill Wittliff, who wrote the teleplay for the unforgettable miniseries Lonesome Dove. That expansive Western saga by Larry McMurtry gave Duvall one of his all-time best roles, as Gus McCrae, and A Night in Old Mexico might be seen as an extension of that character set in modern times. Director Emilio Aragón sets the stage, perfectly and unobtrusively.

Red Bovie (Duvall) is a crotchety old man who has just lost his Texas ranch, and with it his dignity and will to live. He is spurred on by the arrival of a now-grown grandson (Jeremy Irvine) he’s never met, the offspring of his long-estranged son. With nothing more to lose and a what-the-hell attitude, he and the boy set off across the border for “a night in old Mexico,” an evening of carousing that will ostensibly be a last hurrah for the old man. They don’t count on encountering drug smugglers, getting caught in the crossfire between warring enemies, or becoming involved with a sexy woman (Angie Cepeda) whose dreams of stardom have stalled at a rowdy café.

It’s fairly plain that A Night in Old Mexico is a vehicle for Duvall, and as such it’s thoroughly enjoyable: a lightweight film that’s easy to take but elevated to a higher level than it might otherwise attain by the committed presence of its leading actor. Watching him in his element is a genuine treat.

This article is related to: Film Reviews, Robert Duvall