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Leonard Maltin

Silver Linings Playbook

  • By Leonard Maltin
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  • November 21, 2012 2:16 PM
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  • 1 Comment
It’s rare to find a mainstream American movie that doesn’t rely on formula to some degree. That’s one reason David O. Russell’s 'Silver Linings Playbook' is so refreshing: we haven’t encountered these characters before, and this is a character-driven piece. They’re unpredictable and idiosyncratic, but recognizably real. Even the neighborhood cop doesn’t talk or behave like a stock movie policeman.

The Hunger Games—movie review

  • By Leonard Maltin
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  • March 22, 2012 8:53 PM
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  • 27 Comments
As someone who hasn’t read Suzanne Collins’ trilogy of novels, going to see 'The Hunger Games' “cold,” I felt comforted by the presence of two young actors I admire, Jennifer Lawrence and Josh Hutcherson. Given the downbeat nature of the story, set in a bleak future world, having warm-blooded actors who can bring life and depth to their characters is crucial.

Oscar Welcomes Newcomers

  • By Leonard Maltin
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  • January 24, 2012 1:54 PM
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  • 7 Comments
Oscar voters always have some surprises up their collective sleeve, and today was no exception. The actors’ branch is especially welcoming to new talent, as witness the nominations of first-timers Demián Bichir, Rooney Mara, Jean Dujardin, Bérénice Bejo, Octavia Spencer, Jessica Chastain, and Melissa McCarthy. That such relative newcomers are standing toe to toe with the likes of George Clooney and Meryl Streep is a tremendous achievement—and honor.

Like Crazy—movie review

  • By Leonard Maltin
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  • October 28, 2011 7:09 AM
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  • 6 Comments

Hollywood has given a black eye to the romantic comedy; romantic dramas are scarce. All the more reason to cheer Drake Doremus’ fresh, vibrant film Like Crazy, which is anything but a conventional genre piece. Anton Yelchin and Felicity Jones win us over as college students who fall deeply in love and then try to sustain that feeling when circumstances separate them. (After graduating from school she’s forced to return to her native England, while he’s establishing a business in Los Angeles.)

movie review: The Beaver

  • By Leonard Maltin
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  • May 6, 2011 4:30 AM
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  • 7 Comments

I didn’t want to read a word about The Beaver before seeing it, and I’m glad I went in “cold.” It’s a purposefully odd little film about mental illness and a broken family, made with care and obvious passion by Jodie Foster from a screenplay by Kyle Killen. There entire cast is good, but the centerpiece is a potent performance by Mel Gibson.

Some people (myself included) were uncomfortable about Gibson’s screen return in 2010’s Edge of Darkness, following a series of misadventures and offensive outbursts. While he did a good job, this film offers something altogether different. Instead of having to forget the real Gibson and buy into the character he’s playing, The Beaver casts him as a depressed husband and father who goes a bit nuts and tries to redeem himself. What can one say to that? It seems like a perfect fit.

I know I shouldn’t allow my feelings about a performer in “real life” to affect my view of him or her on film, but that’s like a judge telling—