
As a longtime 3-D aficionado, my two favorite shots from the “golden age” of stereoscopic moviemaking (that is to say, 1953) have always been the paddle-ball man in House of Wax and the mad doctor (Phil Van Zandt) who extends a hyper-long hypodermic needle toward the camera in The Three Stooges’ short Spooks. By constructing an absurdly long prop needle...
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