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Leonard Maltin

Coriolanus—movie review

  • By Leonard Maltin
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  • January 20, 2012 1:05 AM
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  • 4 Comments
I don’t know what Shakespeare purists will make of Coriolanus, but as cinematic storytelling it’s awfully impressive: a muscular, contemporary reading of the play, deftly abridged and adapted by the prolific John Logan, who also wrote Hugo and Rango this year. The primary hero, on screen and off, is Ralph Fiennes, who not only makes a formidable directing debut but delivers a ferocious (and commanding) performance in the leading role.

Anonymous—movie review

  • By Leonard Maltin
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  • October 28, 2011 4:15 AM
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  • 2 Comments

There are great moments in Anonymous, from its arresting opening scene (with Derek Jacobi rushing into a Broadway theater and striding directly onstage) to recreations of the first performances ever given of Henry V and Hamlet before a spellbound throng of groundlings. I, too, was captivated during those thrilling scenes, which is why it’s so frustrating that Anonymous nearly drowns itself in a sea of confusion.

Because no one wants to tell a story in chronological order any more, this saga hopscotches back and forth through three separate time periods (not counting the modern-day framing device with Jacobi). I know this because we see David Thewlis as Queen Elizabeth’s advisor William Cecil in three different makeups: as a middle-aged man, then older, then elderly. It’s easy to keep track of the Queen because she’s played in the two later stages of life by the magnificent—