Young Marion Dougherty in her days as an actress; perhaps it was this experience that gave her such empathy for young performers just starting out.
The Academy of Motion Picture Arts and Sciences has
announced the formation of a Casting Directors’ branch, just as HBO is set to
debut Tom Donahue’s outstanding documentary Casting
By on Monday, August 5. What a perfect piece of timing—even though it adds
a bittersweet footnote to the failed effort to present an honorary Oscar to the
legendary Marion Dougherty, who passed away in 2011.
In his impressively researched film, Donahue makes it clear
why and how Dougherty helped define her profession—one of the least appreciated
and understood in all of filmmaking. Indeed, she was the first person to
receive a solo-card credit for her work. She also mentored a number of women
who would become her colleagues and successors.
The list of people Dougherty discovered and championed is
daunting, and many of them appear on camera in Casting By, including Robert Duvall, Al Pacino, Robert De Niro, Glenn
Close, and Diane Lane, along with directors who placed their trust in her like
Martin Scorsese, Clint Eastwood, and Woody Allen.
Dougherty got her feet wet in the world of live television
in New York City during the 1950s and made a successful transition to filmed TV
when such Manhattan-based shows as Naked
City and The Defenders offered
up-and-coming actors rich opportunities. Meanwhile, on the West Coast, Lynn
Stalmaster made a similar name for himself working on such half-hour series as Gunsmoke and Have Gun, Will Travel, amassing an equally impressive roster of
discoveries and (like Dougherty) really going to bat for people he believed in,
like Jon Voight and John Travolta, who recall how much his loyalty and
determination meant at crucial moments in their blossoming careers.
Casting By would
be valuable just for the interview footage with Dougherty and Stalmaster, but
they’re just part of the reason the documentary is so good. This is clearly a
labor of love. It must have been in the works an awfully long time…but it was
worth waiting for.
Two supreme scene-stealers: Mary Boland with Edward Everett Horton in "Danger—Love at Work" (1937), airing this Sunday on TCM.
August also heralds the arrival of Turner Classic Movies’ annual Summer Under the Stars festival, a programming package that brings back many evergreens and tosses in a few surprises, as well. This Sunday, TCM pays tribute to an unlikely but deserving star, character actress Mary Boland, with an array of 14 feature films including one of my all-time favorite movies, Ruggles of Red Gap (1935) and an unsung gem that deserves to be better known, the proto-screwball comedy Three-Cornered Moon (1933). She may be better known for her emblematic work as overbearing dowagers in The Women (1939) and Pride and Prejudice (1940), but I hope some people will take the chance to discover, or revisit, those mid-1930s pictures as well.
You can learn more about TCM’s schedule at tcm.com.