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Leonard Maltin

movie review: The Adjustment Bureau

  • By Leonard Maltin
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  • March 4, 2011 5:05 AM
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  • 6 Comments
I’m a sucker for movies about fate, destiny, and heavenly intervention—going all the way back to On Borrowed Time and Here Comes Mr. Jordan up through Ghost Town with Ricky Gervais—so I was more than willing to accept the premise of The Adjustment Bureau, based on Philip K. Dick’s short story. In this case, the buttoned-down business types played by Anthony Mackie and John Slattery are here on earth to make sure things go “according to plan.” So when hotshot politician Matt Damon chances to meet Emily Blunt and falls in love at first sight, they’re forced to—

movie review: Of Gods And Men

  • By Leonard Maltin
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  • March 4, 2011 5:02 AM
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  • 5 Comments

5,000 Fingers…And More

  • By Leonard Maltin
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  • January 26, 2011 5:30 AM
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  • 1 Comment

film review: No Strings Attached

  • By Leonard Maltin
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  • January 21, 2011 5:00 AM
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  • 0 Comments

Animation Marvels—In Print And On DVD

  • By Leonard Maltin
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  • January 10, 2011 5:00 AM
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  • 1 Comment
A spectacular new book about Ray Harryhausen is cause for celebration—but more about that later. The estimable Mr. H was inspired to pursue his art, and craft, by the films he saw as a boy, especially The Lost World (1925) and King Kong (1933). But the man who created the stunning animation in those films, Willis O’Brien, wasn’t the only person experimenting with the wonders of stop-motion. Steve Stanchfield, Stewart McKissick and Ken Priebe at Thunderbean Animation have compiled a dizzying DVD collection of rare short subjects appropriately titled Stop-Motion Marvels! and it’s a must for anyone interested in this field.

film review: Blue Valentine

  • By Leonard Maltin
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  • January 7, 2011 5:00 AM
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  • 5 Comments
Two daring performances make Blue Valentine a standout, even if the film’s reach somewhat exceeds its grasp. Director and co-writer Derek Cianfrance attempts to explore the beginning and end of an intimate relationship, hopscotching back and forth in time from the couple’s first meeting and subsequent wooing through the utter disintegration of their marriage.

film review—THE ILLUSIONIST

  • By Leonard Maltin
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  • December 25, 2010 5:00 AM
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  • 3 Comments
I have nothing but admiration for Sylvain Chomet’s The Illusionist, a heartfelt homage to the great filmmaker and comedic artist Jacques Tati, based on one of his unproduced screenplays. But I wanted to love the film wholeheartedly, and I didn’t.

film review: SOMEWHERE

  • By Leonard Maltin
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  • December 22, 2010 5:00 AM
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  • 4 Comments
I count Sofia Coppola’s Lost in Translation as one of my favorite films of the decade, and I have great respect for her other pictures—except for the one at hand. Somewhere, which somehow won the Golden Lion at this year’s Venice Film Festival, strikes me as a non-movie, an utter waste of time.

More New And Notable Film Books

  • By Leonard Maltin
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  • December 15, 2010 5:30 AM
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  • 7 Comments
A few weeks ago I did a survey of recently-published film books. Here is a second installment, drawn mostly from quick skims and first impressions. I don’t pretend these are full-fledged reviews based on reading these volumes in their entirety. They all look interesting and I hope they fulfill that promise. I happen to be of the opinion that there is no better, more personal gift than a good book. There is also no better way to treat yourself, especially if you have any “down time” coming up over the holidays.

film review: BLACK SWAN

  • By Leonard Maltin
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  • December 3, 2010 5:15 AM
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  • 26 Comments
Evaluating any movie is a matter of personal taste. Filmmakers who deal in the extreme naturally provoke extreme reactions. That’s my way of saying that I couldn’t stand Black Swan. In fact, I had a violent response to the film, which I saw in its debut screening at the Telluride Film Festival over Labor Day weekend.

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