
These two ambitious new releases from Flicker Alley represent an enormous labor of love by Cinerama aficionado Dave Strohmaier and a handful of technically savvy cohorts. The humble, home-made “making of” documentary about restoring This is Cinerama on the disc bears witness to their Herculean efforts, bringing color, clarity, and uniformity back to the film, often one frame at a time. (A background documentary on the making of Windjammer was produced in Norway and features some of the youthful crew members who made that unforgettable journey more than half a century ago.)
This is Cinerama and Windjammer are offered in the “Smile-Box” format that approximates the curved screen that made Cinerama so distinctive. Each film comes with a gallery of bonus features and behind-the-scenes material.

Just for fun, the producers have included the “breakdown” reels that were ready to be run at a moment’s notice if the cumbersome multi-projector presentation broke down. It’s fun to watch Cinerama host (and co-producer) Lowell Thomas ad lib about the making of the film and cue Mr. Projectionist to restart the feature several different times.
RT @ParamountAustin: The one-and-only @LeonardMaltin presents a rare 35mm screening of LADY FOR A DAY May 24. http://t.co/MXJi4Nq8G8
Posted 1 hour agoRT @leonardmaltin: "The Searchers: The Making of an American Legend" is a great book by any measure http://t.co/ivVpqYHt8M @BloomsburyPub #JohnFord #Hollywood
Posted 7 hours ago
RT @leonardmaltin: 'Hit & Run' is original and thoroughly engaging @daxshepard1 @IMKristenBell http://t.co/T3Z1tqnk #MovieCrazy
Posted 10 hours ago
RT @poetryquestion: @leonardmaltin @extratv @ETonlineAlert @eonline @eonlineMovies @HBO @RollingStone INTERVIEW with @MatthewModine http://t.co/sstCnjoxMd
Posted 17 hours ago|
|
![]() |
![]() |
![]() |
![]() |
![]() |
| |
![]() | ![]() |
6 Comments
Dave Kirwan | September 27, 2012 3:12 PM
Great piece! I grew up in Hartford, CT in the 60's, home of one the Cinerama Theaters. Wonderful stuff! One thing I never see fully explained in Cinerama articles though, is the use of such a narrow-angle lens when so much of these things were shot. The exaggeration of depth (even when one views only one 'panel' at a time on an old 3x4 TV set) is outrageous! When Jimmy Stewart walks towards us, he seems to be taking 8 foot strides!
Kevin Barry | September 27, 2012 7:31 AM
Great article, Leonard! I was lucky to have seen both The Wonderful World of the Brothers Grim (where is that movie?!) and How The West Was Won during their original Cinerama releases at the Loew's Cinerama Theatre in NYC (formerly the old Loew's Capitol), I also saw How The West Was Won again years later at the Neon Movies in Dayton (I bought the $10 "sweet spot" seats) and I was expecting to see a faded and scratchy remnant, not the sparkling print that looked freshly minted. I bought my first Blu-ray player prompted by Dave Kehr's article in The New York Times when How The West Was Won was released in the "smilebox" format. I also saw Windjammer in Cinemiracle at the Bellevue Theatre in Montclair, NJ, and I remember the projection system broke down about three times. This Is Cinerama was revived years ago at the Ziegfeld Theatre in NYC with all three panels on 70mm and the effect just wasn't the same. I'm so excited that there are dedicated film enthusiasts working to bring these memories back for us.
John | September 25, 2012 7:20 PM
You described the uniqueness of Cinerama perfectly Leonard! At age 12 I saw "This is Cinerama" in 1952 at the Orpheum Theatre in San Francisco and was totally stunned by the enveloping experience. Screens were small and almost square (the same size as in the Lowell Thomas prologue to "This is Cinerama") in even the biggest movie palaces in those days. This was before CinemaScope and the other wide screen processes that we take for granted today. It was also the first experience for most of us with any form of stereophonic sound. At home and at the movies we lived in a strictly mono sound world. This was the one of the greatest experiences of my young life and I've been fascinated by Cinerama and other wide screen processes ever since. Needless to say I saw all the follow up Cinerama films several times and was sad to see Cinerama come to an end with "How the West Was Won" only 10 years after the process premiered. I suppose those joint lines and that complex, labor intensive projection system sort of doomed it from the beginning though, certainly after Mike Todd did almost (but not quite!) the same thing with one camera and one projector and 65mm/70nn film with his Todd-AO system.
I'd like to but can't make it to LA this weekend to see all of the Cinerama films, even though the majority will be projected digitally. I was able to see "This is Cinerama" and "How the West Was Won" in three strip Cinerama at the Dome a couple of years ago though and feel very fortunate in having that opportunity, something I could only dream about in past decades. My Blu-ray/DVD copies of "This is Cinerama" and "Windjammer" are in the mail from Flicker Alley and I can't wait to see them! No way they can re-create the theatrical experience but they'll definitely bring back some fond memories and should actually look quite good in Blu-ray on HDTV! Who would have thought we'd ever see them in any form on video? Kudos to all involved in the restoration and presentation of these revolutionary (for their time anyway!) films! Long live Cinerama!
TC Kirkham | September 25, 2012 7:02 PM
Dammit, Leonard! Now I want to see this on a Cinerama Screen! I've been to two Cinerama theaters back when I was a kid, but they were showing regular movies by that time. And now there are none around the Boston area. I'll have to make do with Faux IMAX...and the BluRay to try it out with, though the experience could never be the same....::sniff::
Thanks for a FANTASTIC article as always!
Larry Smith | September 25, 2012 4:31 PM
Great article about Cinerama and itâs growing revival. I especially like the story about John Harvey a one man Cinerama projection team. I hope the showings at the Cinerama Dome in Los Angeles sells out and the Blu-Ray DVD sales hit the roof! Iâve seen Cinerama presented in the 3-projector process nearly 100 times and it still amazes me with the 3-D you are feel with out needing glasses and the sound separation unprocessed (raw and full range).
Thanks Leonard Maltin for all that you do for film history, classic movie appreciation and being a friend since the Minneapolis Cinecon in the mid-1980s.
Larry Smith
Nitrate Film Specialist
Library Of Congress
Culpeper, VA.
Norm | September 25, 2012 3:51 PM
Excellent treatise on "Cinerama." I doubt if there has ever been quite a thorough treatment on the subject. Makes one want to fly to Dayton.Maybe one day...