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Leonard Maltin

NO

  • By Leonard Maltin
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  • February 15, 2013 1:02 AM
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  • 0 Comments
An Oscar nominee for Best Foreign Language Film this year, Pablo Larrain’s No is a persuasive docudrama that chronicles the efforts to unseat Chile’s dictator Augusto Pinochet in 1988.

The Intouchables—movie review

  • By Leonard Maltin
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  • May 25, 2012 1:24 AM
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  • 2 Comments
Last year, Harvey Weinstein brought a French film called 'The Artist' to the U.S. and wound up with an armful of Academy Awards. This year he’s presenting another Gallic import that not only was a box-office smash, but features Omar Sy, who beat out Jean Dujardin for the Best Actor prize at the César Awards...

Headhunters—movie review

  • By Leonard Maltin
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  • April 27, 2012 12:50 AM
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  • 3 Comments
photo courtesy of Magnolia Pictures
I can’t remember the last time a movie surprised me as much as 'Headhunters': not just its story twists and turns, which are considerable, but its continual stripping of character veneer and overall audaciousness left me breathless.

Monsieur Lazhar—movie review

  • By Leonard Maltin
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  • April 13, 2012 12:55 AM
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  • 2 Comments
The hype-meisters of moviedom have made it difficult to use words like “heartwarming” and “inspiring” without sounding like a huckster…but when you see a film as moving and well-wrought as 'Monsieur Lazhar', it’s hard to resist. Yet what I admire most about the picture, which was an Oscar nominee this year as Best Foreign Language Film, is its restraint.

We Have A Pope—movie review

  • By Leonard Maltin
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  • April 9, 2012 3:53 AM
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  • 1 Comment
Given Nanni Moretti’s track record as writer, director, and actor, there is every reason to have high hopes for his latest effort, 'We Have a Pope'. One would presume that a behind-the-scenes look at the process of naming a new Pontiff would provide ample fodder for observational humor. Instead, the film focuses on the chosen man’s crisis of confidence. Since that man is played by the great Michel Piccoli, this idea, too, offers great promise.

Footnote—movie review

  • By Leonard Maltin
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  • March 9, 2012 12:30 AM
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  • 0 Comments
Another of this year’s Best Foreign Language Film nominees, Footnote may not be as intense or soul-searching as A Separation or In Darkness, but that doesn’t mean it isn’t superior satisfying entertainment. Israeli writer-director Joseph Cedar mines the richest vein in the world for his material: the quirks and foibles of human nature.

Bullhead—movie review

  • By Leonard Maltin
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  • February 17, 2012 12:50 AM
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  • 3 Comments
If I were to sum up my feelings about this film in two words, they would be “grimly fascinating.” Bullhead is the dark horse in this year’s Oscar race for Best Foreign Language Film, a sleeper from Belgium that has won acclaim around the world. Part of the response comes from the excitement of discovery: an unknown writer-director making his feature debut, and creating a gritty crime story (with strong emotional currents) set against an unlikely backdrop.

In Darkness—movie review

  • By Leonard Maltin
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  • February 10, 2012 12:40 AM
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  • 3 Comments
The latest in a long line of incredible-but-true stories from World War II turns out to be one of the best. In Darkness dramatizes the saga of a group of Jewish men, women and children who paid a sewer worker in the city of Lvov to hide them underground, little dreaming that they would spend more than a year in that dark, damp, environment.

Declaration Of War—movie review

  • By Leonard Maltin
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  • February 2, 2012 6:02 PM
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  • 1 Comment
It’s been decades since television created a genre that pundits labeled “disease-of-the-week” movies. Cable networks such as Lifetime have kept the form alive, because such stories are natural fodder for relatable drama, while medical TV shows have never gone out of style.

movie review: Of Gods And Men

  • By Leonard Maltin
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  • March 4, 2011 5:02 AM
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  • 5 Comments

One of the best films I’ve seen this year is also one of the most unusual I’ve encountered in a long, long time. While it’s inspired by a true story, it deals with something far less tangible than facts. It’s about faith.