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Inside Llewyn Davis

Reviews
by Leonard Maltin
December 6, 2013 12:00 AM
5 Comments
  • |
Courtesy of CBS Films

The Coen Brothers’ movies don’t look, sound, or feel like anyone else’s, and they assert that individuality once again in Inside Llewyn Davis. Whether or not you’re a fan, you have to admire their ability to put a personal stamp on everything they do. I didn’t love their newest film, but I find myself thinking about it a lot, from the wonderful music score (produced by T-Bone Burnett) to the evocative look of early 1960s New York City. As usual, there are colorful “star turns” for great character actors like John Goodman and F. Murray Abraham, rich opportunities for such talents as Justin Timberlake and Adam Driver, and a parade of striking but unfamiliar faces who add Coen-like texture to smaller roles.

Then there’s Oscar Isaac, who delivers a star-making performance in the title role. (He impressed me with his charisma—and his musical ability—in a tiny film called 10 Years, but that was just a warm-up for this expansive showcase.) Llewyn Davis is a gifted folk singer and musician who is certainly his own worst enemy: irresponsible, self-destructive, unwilling to compromise for the sake of his foundering career. He manages to alienate friends, lovers, and business associates with equal skill and thoughtlessness. The movie paints a vivid portrait of apartment life in the City, the Greenwich Village nightclub scene, and a typical recording studio of the time. The work of cinematographer Bruno Delbonnel and production designer Jess Gonchor is superb.

Courtesy of CBS Films

But while this chamber piece is well acted and meticulously crafted, down to the tiniest detail, it’s not a film one can cozy up to. That’s not the Coens’ intention, of course, but it almost seems as if they’re making an effort to push the audience away—like their oddly-named protagonist. That’s why even after several months (when I saw it at Telluride) I hold certain moments dear but can’t muster any real affection for the film as a whole. I admire and respect what Joel and Ethan Coen have created. They’ve given us a unique moviegoing experience, and that’s no small achievement. It’s just difficult to recommend to anyone but a Coen camp follower.

Images from Inside Llewyn Davis

  • Courtesy of CBS Films
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    Oscar Isaac, Carey Mulligan, Justin Timberlake - Inside Llewyn Davis

  • Photo by Alison Rosa- Courtesy of CBS Films
    2 of 3

    John Goodman - Inside Llewyn Davis

  • Courtesy of CBS Films
    3 of 3

    Oscar Isaac - Inside Llewyn Davis


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5 Comments

  • Jeffrey | December 15, 2013 4:25 PMReply

    There was something a little tentative about this film's resolution.

  • filmklassik | December 14, 2013 6:36 PMReply

    They may be impeccable craftsmen, but the Coen Brothers have an attitude toward the verities of traditional storytelling that borders on contempt. Hey Joel and Ethan: There's a REASON these tropes have been around for so long. Because we, as human beings, LIKE them, and need them to feel satisfied.

  • mike schlesinger | December 6, 2013 7:26 PMReply

    Historically, the Coens have often kept audiences at arms'-length--but usually their disagreeable characters had some sort of redeeming qualities, such as a sense of humor or a kind of quirky charm. Sadly, not the case here, as almost every one of the principals is somebody you'd move to another time zone to avoid. Production-wise, it can't be faulted, and there are, as you say, a lot of fine things in it (I love "Please, Mr. Kennedy") but this ranks in the bottom third of my personal Coen rankings.

  • David | December 6, 2013 5:52 PMReply

    I'm not a huge Coen Brothers fan but I actually loved the film, the music, and acting. But I came of age during the folk music renaissance in the 60s.

  • BigMovie | December 6, 2013 11:19 AMReply

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