On the other hand, Abrams and company have followed a Hollywood truism in the comic-book movie field: if you want to have a really good villain, hire a Brit, in this case the versatile Benedict Cumberbatch. He manages to underplay even potential moments of scenery-chewing, to good effect, and makes a worthy adversary for Kirk and the Enterprise crew.
Writers Alex Kurtzman and Roberto Orci (who worked on the first film) and Damon Lindelof (another longtime Abrams cohort) have neatly woven moments of humor and personal interaction into their narrative, which makes a nice contrast to the almost constant crises the story hurls in the heroes’ path. If there’s any criticism to be leveled at the screenplay, it’s that every new incident is a matter of life and death. There’s no real sense of perspective.
I saw the film in IMAX 3-D, and while it looked great I can’t say the 3-D added much to the experience. But Abrams apparently shot much of the feature in 65mm, which makes IMAX an ideal way to appreciate the handsome production design and outstanding visual effects.
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RT @FilmoScopeFR: @leonardmaltin @Cineuropa 60 Years ago, Dec. 4 1953: First European screening of Fox CINEMASCOPE at Rex Theatre Paris htt…Posted 2 hours ago
@leonardmaltin @Cineuropa 60 Years ago, Dec. 4 1953: First European screening of Fox CINEMASCOPE at Rex Theatre Paris http://t.co/SMcfw5E1vNPosted 4 hours ago
@leonardmaltin @AnnaKendrick47 @SoundofMusic 3 Words.... 1. GRAMMY 2. EMMY 3. TONYPosted 9 hours ago