- By Leonard Maltin
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- December 19, 2009 2:28 AM
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- 0 Comments
As someone who had major problems with Rob Marshall’s Chicago—which robbed the Broadway show of all its humor and rendered its dance numbers unwatchable through egg-beater editing—I did not expect to like Nine, Marshall’s ambitious adaptation of the 1982 stage musical inspired by Federico Fellini’s 8½. Imagine my surprise, then, as I tell you I loved it. I’ve already heard complaints about the picture from other quarters, which I won’t enumerate here, but I bought into it one hundred percent. It begins with accepting—or embracing—Daniel Day-Lewis as 1960s Italian film director Guido Contini. He makes the transformation so effortless that I couldn’t resist...and it’s a treat to see this great actor portray a character who has light-hearted, even mischievous, moments. John Myhre’s spectacular production design, Dion Beebe’s sumptuous cinematography, and Colleen Attwood’s costumes all contribute...