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Leonard Maltin

Romantic Comedy—French Style

  • By Leonard Maltin
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  • April 22, 2010 5:21 AM
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  • 2 Comments

...And Old

  • By Leonard Maltin
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  • April 15, 2010 5:38 AM
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  • 0 Comments
After a long and productive day working on my book last Sunday I decided I had earned a reward, so my wife and I attended a double-feature at the Egyptian Theater in Hollywood, where the American Cinematheque and the Film Noir Foundation are unspooling their annual Film Noir festival. This is always an enjoyable experience, as the faithful gather to discover rare goodies from the world of dark shadows and rain-soaked streets, mostly from the 1940s and 50s.

Binging on Movies—And Loving It

  • By Leonard Maltin
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  • April 5, 2010 9:58 AM
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  • 0 Comments
George O'Brien and a young Humphrey Bogart in A Holy Terror.
More: Journal

Great Films You Can't Find on DVD

  • By Leonard Maltin
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  • March 24, 2010 4:00 AM
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  • 9 Comments
With the long-awaited release of The African Queen on DVD this week, film buffs can check another prominent title off their want lists. That’s the good news…but there are still a surprising number of movies from every decade of the 20th century that aren’t commercially available.

R. I. P., Fess Parker

  • By Leonard Maltin
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  • March 18, 2010 7:54 AM
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  • 314 Comments
Like millions of other kids, I idolized Davy Crockett and the man who played him, Fess Parker…so this is a sad day for me and other lifelong fans, even though I know he lived a good life for more than 85 years.
More: Journal

Errol Flynn Redux

  • By Leonard Maltin
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  • March 18, 2010 4:00 AM
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  • 3 Comments
After my holiday trip to Australia and New Zealand I wrote about Errol Flynn’s home town of Hobart, Tasmania and printed some photos of the newly-named Errol Flynn Reserve. But it seems I was under-informed about local interest in the swashbuckling star. Here’s an e-mail I received from Steve Randell:

A Gold Mine For Film Research

  • By Leonard Maltin
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  • March 17, 2010 4:00 AM
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  • 3 Comments
Like anyone who’s spent much of his life in libraries and archives, hearing a young person claim that you can find “everything you need” to do research online is upsetting, to put it mildly. One can easily find simple information, and misinformation, but if you’ve devoted hours and days digging through vintage film publications or studio production files you know that acres of primary research materials don’t exist on the Internet. Even if you’re lucky enough to have access to great collections like the ones held by The Academy of Motion Picture Arts and Sciences’ Margaret Herrick Library in Beverly Hills, or the New York Public Library in Manhattan, you’re limited to how many hours or days you can spend taking notes and making photocopies.

A Tale of Two Critics

  • By Leonard Maltin
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  • March 11, 2010 7:15 AM
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  • 3 Comments
The fact that film critics are losing their jobs is no longer considered breaking news; rather, it’s become a protracted process of mourning over the last few years. But when Variety, the trade journal once known as “the Bible of show business,” fired Todd McCarthy on Monday, after thirty-one years, it sent shock waves through the film industry. Civilians who don’t read “the trades” may wonder what the fuss is all about. Todd was usually the first critic to voice his opinion of new movies in print (along with his counterpart at the Hollywood Reporter, Kirk Honeycutt). His opinion had weight; it mattered.
More: Journal

Oscar's Music Masters

  • By Leonard Maltin
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  • March 8, 2010 6:53 AM
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  • 0 Comments
The gifted and prolific Alexandre Desplat, whose scores this year alone include Fantastic Mr. Fox, A Prophet, Coco Before Chanel, Julie & Julia, and The Twilight Saga: New Moon, poses with Academy music branch governor Arthur Hamilton, whose many songs include the standard “Cry Me a River.”
More: Journal

Famous Voices For "Alice"—Now And Then

  • By Leonard Maltin
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  • March 4, 2010 5:00 AM
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  • 15 Comments

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