Says Whedon, “There’s some part of us, some deep, dark, primitive part of us that wants to sacrifice these people onscreen. I wanted to make a movie that explained why. And so it’s been a strange experience because on the one hand, we do straight up horror. We definitely love the genre and the tropes of the genre but at the same time we have a lot of questions about why and where it’s going.”
This is meaty stuff, meatier than most horror films would even attempt to confront, yet I don’t think Cabin in the Woods achieves its stated goal. The ritualistic aspect of the film is fun but overly familiar, the filmmakers’ attitude is a little too snarky, and the climax is so off-the-wall that it seemingly contradicts the thoughtful questions raised by its creators. Only the last few moments hint at the true darkness of their concept.
Is The Cabin in the Woods the greatest thing to happen to the horror genre, as some enthusiasts have claimed? I don’t think so. It’s a clever attempt to emulate, parody, and subvert the genre all at once—but it’s only partially successful.
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@leonardmaltin hey how are uPosted 4 hours ago
For once, I'm a step ahead of @BretEastonEllis's recco. :) Thanks, @leonardmaltin.Posted 5 hours ago
@360moneyline @DougBenson always does the @leonardmaltin game at the shows. He said he hopes to bring the show here some day.Posted 7 hours ago
RT @ParamountAustin: The one-and-only @LeonardMaltin presents a rare 35mm screening of LADY FOR A DAY May 24. http://t.co/MXJi4Nq8G8Posted 9 hours ago