

Answers vary as to whether they feel they had “charmed lives” as children, but they all seem to agree that being able to show 16mm prints of Disney films made their birthday parties extremely popular. Johnston and Kimball also had backyard trains; didn’t everybody?
Walt Disney’s daughter, Diane Disney Miller, who is admittedly camera-shy, provides an all-too-brief introduction to Peter Pan, which had great meaning to her father, and gets a chance to plug the Walt Disney Family Museum in San Francisco, which deserves this kind of high-profile attention.
Under the umbrella of Deleted Scenes we’re treated to a pair of fully storyboarded sequences that were dropped from the final screenplay: one as Wendy, Michael and John arrive in Neverland, and one that would have altered the ending of the film. Storyboards also accompany original demo recordings of two deleted musical numbers, “The Boatswain Song” and “Never Smile at a Crocodile,” which did have a life outside of the feature. The demo is performed, quite well, by Henry Calvin, who later became a Disney regular as Sergeant Garcia on the Zorro TV series.

Material from two earlier DVD releases cover the length and breadth of Peter Pan’s production history and the creation of Tinker Bell. There is even an audio performance of a magazine article from 1953 ostensibly written by Walt called “Why I Made Peter Pan.” Best of all, the late Roy E. Disney hosts a commentary track that gathers remarks and recollections from a variety of artists who worked on the film and animation people who admire it (including me).
Best of all, the film looks and sounds great. I recently hosted a screening of Peter Pan at Disney’s El Capitan Theatre in Hollywood. It was a pleasure to revisit the film on the big screen in this pristine restoration (including the opening credit for distributor RKO Radio Pictures). Prior to the show I interviewed Kathryn Beaumont, the voice and animation model for Wendy, Margaret Kerry, the model for Tinker Bell and voice of the red-haired mermaid, and filmmaker Ted Thomas onstage before an appreciative audience of Disneyphiles. It was a lovely experience, second only to digesting all the goodies on this new release. In keeping with current, quixotic Disney policy, most of the new bonus features are only on the Blu-ray disc and not the DVD which comes in the same package.
RT @ACScreens: Louis Black and Leonard Maltin reunite at the @ParamountAustin tomorrow night: http://t.co/Jw66QcCan2
Posted 4 hours ago
RT @ParamountAustin: The one-and-only @LeonardMaltin presents a rare 35mm screening of LADY FOR A DAY May 24. http://t.co/MXJi4Nq8G8
Posted 1 day agoRT @leonardmaltin: "The Searchers: The Making of an American Legend" is a great book by any measure http://t.co/ivVpqYHt8M @BloomsburyPub #JohnFord #Hollywood
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RT @leonardmaltin: 'Hit & Run' is original and thoroughly engaging @daxshepard1 @IMKristenBell http://t.co/T3Z1tqnk #MovieCrazy
Posted 1 day ago|
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