While even the folks at Aardman have embraced computer technology as a filmmaking tool, there is something uniquely appealing about sculpted clay figures like the Pirate Captain (voiced by Hugh Grant) and his self-described “luxuriant beard.” Audiences naturally respond to the characters, situations, and gags in any animated cartoon, but the look of the film is one of its strongest assets, and wins us over right away.
Story development in Gideon Defoe’s screenplay is not this movie’s strongest suit; silliness is. As we meet the proud Pirate Captain and his eccentric crew, we realize that the so-called hero of the film is something of a nitwit, albeit a likable one. His odd-looking mates are loyal to a fault and support him as he enters the Pirate of the Year contest, even though he always loses. It turns out that the real “winner” in their midst is the Captain’s “parrot” Polly, whom none other than Charles Darwin identifies as a dodo bird. That makes her very desirable, not only to the fabled scientist but to none other than Queen Victoria herself.
Pixar may be stronger on story development, and DreamWorks funnier in terms of verbal gags, but Aardman’s films have their own personality, and I hope they never abandon it.
Den Skaldede Frisør:“@MaltinonMovies: See why @LeonardMaltin likes the Danish film Love is All You Need. http://t.co/bMgZiVloI2”Posted 7 hours ago
@leonardmaltin @MercyLSmith I luv film! But, it costs too much for my projects; forces attachment-bullshit; BURIES creating outside the boxPosted 7 hours ago
RT @leonardmaltin: Premature Burial for 35mm Film http://t.co/jW6m5psn4k @kodak #MovieCrazy #LongLiveFilm #35mmPosted 8 hours ago
@ReelzChannel @leonardmaltin he doesn't like TAXI DRIVERPosted 10 hours ago