More Filmmaker Interviews! The Features!

Filmmaker interviews from features and the shorts that precede them!

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FILM TITLE: At the River
by Todd Raviotta

Please introduce yourself.


Todd Raviotta, director, producer, and editor of all types of film and video.  As a complement to my production work, I teach filmmaking and digital video at both a University and gifted high school.
 
What initially attracted you to filmmaking? How many films have you made?

Following a life immersed in visual arts, film became the art-form I was most passionate
about. Fifteen years ago I committed to becoming a director and since 1998 I have
made over 50 projects, produced hundreds of student films and have had a strong
beginning to an editing career.
 

Did you go to film school? If so, where?

I received both a B.F.A. (2001) and M.F.A. (2004) in Design with an emphasis on
film from Virginia Commonwealth University in the Photography and Film
Department part of VCU School of the Arts.
 
Please describe your film in 1-2 short sentences.

Two young men on the verge of adulthood confront their sexual identities in the
shadow of the Confederacy, one hot summer day down at the river. Using dreamy black and white it has a hallucinatory feel.
 
Where did the idea for your film come from?

 

Conversations with Director of Photography about making a short film that pulls from the importance of the river day trips and the coming out of young men. The approach was to make a sweet telling of uncertain attraction and tension.
 
What was the biggest challenge you faced in making your film?

The trek to the location was a 45-minute walk along railroad tracks in the hot sun,
but coming into the clearing at the river was always worth it.  I guess what was more challenging than the walk to location with the equipment was the journey back to our cars.
  
Who or what are some of the creative influences that have had the biggest impact on you?
 
Without a doubt the films of Stanley Kubrick and David Lynch affect all of my cinematic
choices, but for this film my memory of the short film Occurrence at Owl Creek Bridge really was the wellspring that set this in motion.
 
Are you working on a new film yet? If so, give us a brief description. If not, is there a genre or subject you are interested in exploring in your next project?
 
I am working on a feature film that explores the research and development of a sex
drug.  The project is in script form now and after completing revisions the hunt for financing begins.
  
The first film I have memories of watching as a child was:
 
Seeing Empire Strikes Back
, ET, and Ghostbusters, with my family in the theater while growing up in New Orleans.
 
The first LGBT film I ever saw was:

 

Not specifically a LGBT film but as a 10 year old I saw John Waters's Hairspray and thought it sweet and brilliant on many levels of spoken and unspoken subtext.
 

The one LGBT film that has had the biggest impact on me is:

Kids in the Hall Brain Candy, the troupes humor and their examinations of the
pharmaceuticals industry has been an inspiration on my newest script.
 
The most recent film I saw in a theatre was:

 

Iron Man and a daylong Virginia Independent Film Festival program I was MC at.
 
 
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FILM TITLE: Swimsuit
by Mark Theideman


Please introduce yourself:

My name is Mark Thiedeman--born in New Orleans, based in New York.
  
What initially attracted you to filmmaking? How many films have you made?
  
I couldn't decide between painting, writing, drama, or music, and film allows you work with all four art forms at the same time, so it's very satisfying for me.  I've made a number of films in and out of school, but I'd focus on two: Swimsuit
and my next project, The Scoundrel.

Did you go to film school? If so, where?

  
I went to NYU.

Please describe your film in 1-2 short sentences.
  
Swimsuit
is about the possibility of a romantic encounter that isn't erotic, if that makes any sense.  It's about a brief encounter, the comfort of strangers.
  
What was the biggest challenge you faced in making your film?
  
Shooting on the beach.  Warning: one little grain of sand can ruin a whole camera.  Beware.

Who or what are some of the creative influences that have had the biggest impact on you?
  
A number of painters: Friedrich and Caillebotte in particular.  Some version of "The Floor Scrapers" always shows up in some way in my movies.  

Are you working on a new film yet? If so, give us a brief description. If not, is there a genre or subject you are interested in exploring in your next project?
  
I just wrapped the production phase on my first feature, The Scoundrel
.  It's about a young New Yorker who wears a suit, smokes a lot of cigarettes, sleeps with a different person every night (male or female), drinks too much, and writes beautiful poetry.  I think he's my hero.

 

The last DVD I watched was:  
  
Mouchette
.  That poor girl...

 

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FILM TITLE: Japan Japan
by Lior Shamriz

 

Please introduce yourself:

 

Lior Shamriz, Filmmaker, Berlin, Germany

 

What initially attracted you to filmmaking? How many films have you made?

 

Unfortunately I’ve been telling stories and fibbing since the day I learnt how to talk. I’m attracted to cinema as a simultaneously reduced and enhanced version of reality. Filmmaking for me is a means of toying with the relations between different and sometimes contradictory forms that are usually used separately as representations of life.  My belief in these representations as autonomous entities might be the reason why in my work narrative is often used for psycho-dramatic purposes, in my life or in the character's.

 

Did you go to film school? If so, where?

I went to the Jerusalem Film School from but ran away from there after two years.  I studied also at the Institute for Time Based Media at the UdK Berlin.

 

Please describe your film in 1-2 short sentences.

 

It is he story of Imri, who at 19 goes to live in Tel- Aviv, but dreams of moving to Japan.

 

Where did the idea for your film come from?

 

In my early twenties, I was studying Japanese, dreaming of moving to Tokyo and finally "becoming" Japanese (This was between my German and French phases).  As a filmmaker in Israel I knew that my films would often be perceived as a window to an exotic place in the midst of a political conflict. In this film I wanted to question the place of exoticism and orientalism in cinema and in my life.

 

What was the biggest challenge you faced in making your film?

 

One interesting challenge was how to create an interesting viewing experience in a film where it is impossible for the viewer to experience the film through the hero's eyes. As the hero says himself: "Whoever looks at me, expects to see the drama or the thoughts, but the face is empty".

 

The first film I have memories of watching as a child was:

 

Mirror, Andrei Tarkovsky

 

The first LGBT film I ever saw was:

 

Brokeback Mountain

 

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FILM TITLE: Being Proud Black and LGBT in America
by Monalisa McCombs

 

Please introduce yourself:

 

From Harlem USA.

 

What initially attracted you to film making? How many films have you made?

 

Well, I really became tried of asking people to help me to do things when it came to editing and camera assistance.  I completed 2 films True Confession and Being Proud Black & LGBT in America.

 

Did you go to film school? If so, where?

 

Yes. The Art Institute of New York Film school.

 

Please describe your film in 1-2 short sentences.

 

The film is based on proud black Americans living and their truth as gays and lesbians, and no longer a shame to do so.

 

Where did the idea for your film come from?

 

Well, just ignorance of people needing to be educated on what being LGBT is about.  Also knowing the fact it’s not a learn behavior as people would like to think it is.

 

What was the biggest challenge you faced in making your film?

 

Well, getting people to work with me on the crew side, and alternately doing everything on my own when it was said and done.

 

Who or what are some of the creative influences that have had the biggest impact on you?

 

God, and knowing this is needing to be out their for people to know you are not alone on being who you are as a LGBT living in this homophobia society that we are now living in.

 

The first film I have memories of watching as a child was:

 

Thank God It’s Friday w/ Donna Summer corny, but love it.

 

 The first LGBT film I ever saw was:

 

Queers as Folks

 

My top three all-time favorite films are:

 

Ice Cube - Players Club, Various directors - BaadAssss cinemas, Alfred Hitchcock - Rear Window

 

The one LGBT film that has had the biggest impact on me is:

 

Maurice Jamal - Ski Trip

 

The most recent film I saw in a theatre was:

 

 Maurice Jamal - Dirty Laundry

 

The last DVD I watched was:

 

Street Kings

 

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FILM TITLE: Drawn Out Love
by Boudewijn Koole

 

Please introduce yourself:

 

I live in Amsterdam, the Netherlands. I am full-time (documentary) filmmaker, have my own small production company.  This is my first fiction.

 

What initially attracted you to filmmaking? How many films have you made?

 

I always wanted to be a filmmaker. It just felt right. Like a second nature or a part of myself. Hard to explain.

 

Please describe your film in 1-2 short sentences.

 

It is a film about a young man in search of his father. He grew up without him and now he has the chance to meet him. But he hesitates to reveal himself as the son.

 

What was the biggest challenge you faced in making your film?

 

To make a script work in which a son and a father make love.

 

Who or what are some of the creative influences that have had the biggest impact on you?

 

Tom Spanbauers book:  The Man Who Fell in Love with the Moon; Dardenne brothers; Jazz music; Snails

 

The first film I have memories of watching as a child was:

 

101 Dalmatiërs

 

My top three all-time favorite films are:

 

The Conformist – Bertolucci, The Kid (or others) – Chaplin, Vive l'amour - Tsai Ming-liang

 

The last DVD I watched was:

 

Secretary

 

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FILM TITLE: Dreams Deferred:  The Sakia Gunn Film Project
by Charles B. Brack

 

Please introduce yourself:

 

Operations Director, Brooklyn NY

 

What initially attracted you to filmmaking? How many films have you made?

 

I was inspired by my mentor and friend Professor Robert Devine, He made the idea of making social change media irresistible to me. I was associate producer at the NYC Commission on Human Rights for several years and well as the producer of GMHC's Living With AIDS Show. So I've done plenty, but this is my 1st independent film.

 

Did you go to film school? If so, where?

 

Yes I studied documentary arts at Antioch College, Yellow Spring, OH graduating with a degree in communications.

 

Please describe your film in 1-2 short sentences.

 

This is the story of black lesbian 15 year old Sakia Gunn who was murdered in a hate crime in Newark, NJ. 

 

Where did the idea for your film come from?

 

The idea was presented to me by a colleague...I of course jumped a the chance to tell this story.

 

What was the most satisfying aspect in making your film?

 

Honestly, that her mother, who has become like a sister to me, is please that her beloved daughter's death was not in vane. Most importantly that the plight of LGBT people of color will be brought to light.

 

Who or what are some of the creative influences that have had the biggest impact on you?

 

Marlon Riggs was my role model...until I saw Tongues Untied on PBS I had no real vision of making it as a black gay filmmaker. I also love the work and methodology of Frederick Wiseman.

 

The first film I have memories of watching as a child was:

 

The Wizard of Oz

 

The first LGBT film I ever saw was:

 

Making Love

 

My top three all-time favorite films are:

 

Tongues Untied, A Raisin in the Sun (2008), The Devil Wears Prada...but this list changes with my mood.

 

The one LGBT film that has had the biggest impact on me is:

 

Unfortunately it was a negative impact: Boys in the Band

 

The most recent film I saw in a theatre was:

 

Dreamgirls

 

The last DVD I watched was:

 

Patti Labelle Live in New York City

 

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FILM TITLE: Mulligans
by Chip Hale

 

Please introduce yourself:

 

Filmmaker, Los Angeles, CA

 

What initially attracted you to filmmaking? How many films have you made?

 

I have always enjoyed story telling.  And from an early age I've been in love with films.  Mulligans is my first feature film.  I have directed and produced

 numerous short films and music videos.

 

Did you go to film school? If so, where?

 

I studied film and television production at the University of North Texas in Denton.

 

Please describe your film in 1-2 short sentences.

 

Mulligans is a story about family.  The Graduate for a New Generation.  A father has an affair with his son’s best friend. 

 

What was the biggest challenge you faced in making your film?

 

You would think, with such a low budget we would have encountered numerous challenges.  However, we had a great crew and cast and wonderful volunteers.  We had a lot of fun.  I would say weather was our biggest challenge.  With only 18 shooting days, we were very weather dependent.

 

Who or what are some of the creative influences that have had the biggest impact on you?

 

I love the filmmakers from the 70's, Coppola, Scorcese, George Roy Hill.  Right now, Ang Lee and Steven Soderbergh.

 

My top three all-time favorite films are:

 

Godfather, The Last Picture Show and Braveheart

 

The most recent film I saw in a theatre was:

 

Shine a Light

 

The last DVD I watched was:

 

Butch Cassidy and the Sundance Kid

 

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FILM TITLE: Straight
by Nicolas Flessa

 

Please introduce yourself:

 

I’m an author and filmmaker from Berlin, Gemany.

 

What initially attracted you to filmmaking? How many films have you made?

 

Originally, I am a writer with an extraordinary love for dialogs. I wrote a couple of  short novels and plays for theater. I started to write some screenplays three years ago. As I really love to work with actors, I started to realise some of the movies by myself.

 

Did you go to film school? If so, where?

 

I attended Babelsberg Film University (HFF Potsdam-Babelsberg) for two years.

 

Please describe your film in 1-2 short sentences.

 

Straight is a story about three young people meeting in multicultural Berlin-Neukölln. It’s a story about the confusion of their feelings, about the challenge of their self-perception and about the conflict between their actual lives and their cultural origin. 

 

Where did the idea for your film come from?

 

Friends told me about their life and personal experiences in Berlin. I heard stories about hope, secrets and their repercussions, and my friends` inner and outer conflicts I wanted to discuss.

 

What was the biggest challenge you faced in making your film?

 

The lack of money. Sometimes I felt like a king without power. The only thing I could offer my team was enthusiasm and my script. Most of the time that worked out quite well. But when energy decreased during the shooting, it became harder and harder to motivate the people without having the chance to offer them some money or even some sleep.

 

Who or what are some of the creative influences that have had the biggest impact on you?

 

The movies of R. W. Fassbinder,  Pedro Almodovar and Francois Ozon, I would say.  The books of Marguerite Duras and Henry Miller. Dialogs with my friends and my family.  Living in a city with such an incredible pool of artists and individualists as you find them in Berlin. 

 

Are you working on a new film yet? If so, give us a brief description. If not, is there a genre or subject you are interested in exploring in your next project?

 

There are two films I’m trying to realise within the next years, a tragedy about a boy and his teacher called Free Climbing. The second project is called Barbarians and is a comedy about foreigners and local people in a small Eastern German village.

 

The first film I have memories of watching as a child was:

 

The first movie I remember was The Love Bug by Robert Stevenson (USA 1986).

Another one was The Curse of King Tut ́s Tomb (UK 1980). Maybe that`s the reason I studied Egyptology and ended up making films while driving an old Beetle car....

 

The first LGBT film I ever saw was:

 

Beaufiful Thing by Hattie MacDonald (UK 1996).

 

The last DVD I watched was:

 

Clockwork Orange by Stanley Kubrick.

 

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FILM TITLE: Neighbors
by Marta E. Vilatella

 

Please introduce yourself.
 
My name is Marta, I work in the university of Girona (Catalonia).

What initially attracted you to filmmaking? How many films have you made?
 
This short is my absolute first experience as a filmmaker. And I mean the REAL first one. All the contact I had with cinema before was when I paid the ticket for the movies. The fact is that I won a prize for developing a short story to screen, under the condition that I had to adapt it and direct. Wow. When my knees stopped crackling I began to wonder how was that thing of the movies. Anybody DID them? Weren't them just heavenly transported from the us majors to the European homes and theaters? Best of my lucks was my brother-in-law actually DID movies, so I blindly trusted him, began to know all the process and to meet all the people that they really DID cinema. They were going to help ME shooting a movie. I couldn't believe. After the painful process (more in my case, for the reasons I've just exposed) of shooting the first short film, I must say I finally know what does filmmaking means, and I really LOVE it. I know it will be very difficult to repeat it, but I’m writing more things right now, a theatre play is in production process and I already finished a short stories book.

 

Did you go to film school? If so, where?
 
As all the bad guys, I learned filmmaking in the streets, while the good guys went to school.

Please describe your film in 1-2 short sentences.
 
Four feminine solitudes live in the same building. They only talk in the building entrance or landings but, do they communicate?
 

What was the biggest challenge you faced in making your film?
 
film = challenge. Everything was so big to me. Maybe the main challenge was to convince myself that I could do it.

Who or what are some of the creative influences that have had the biggest impact on you?
 
Mr. Lacan has been like the Berlin wall to me.

Are you working on a new film yet? If so, give us a brief description 
As I said before, I've written a theatre play that is currently under production, a short stories collection book, and I'm working on a feature film script, based on those family meetings that always end up a mess after everybody drinks too much.

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FILM TITLE: Our Passion
by Leandro Duarte and Rui Calvo

 

Please introduce yourself:

I'm Rui Calvo and I work as an editor at a production company called "KM 70".

My name is Leandro Duarte and I work freelance as a director and a production designer.

What initially attracted you to filmmaking? How many films have you made?

RC: Watching films when I was a teenager, made me decide to study filmmaking in college. So far, I've directed two short films.


LD: I guess the idea of creating the illusion of reality made me decide to study filmmaking at college. I remember how impressed I was when I first saw "Jurassic Park", for example. I've directed two short films as well.

Did you go to film school? If so, where?

Yes, we both studied at the University of São Paulo, in Brazil.

Please describe your film in 1-2 short sentences.

The film starts with a couple who quarrels fiercely. Two girlfriends, who overhear the couple arguing, begin to play reenacting the quarrel and, this way, let an ambiguous relationship arise between them.

Where did the idea for your film come from?

RC: When I wrote the script, I had just finished reading "The Maids" a stageplay by Jean Genet; in this play, two housemaids play pretending that one of them is their mistress. The idea of one pretending to be someone else, and this way, revealing some of one's
own characteristics and personality, was the origin of our film "Our Passion".

What was the biggest challenge you faced in making your film?


RC: Building the relationship between the characters of Mônica and Tatiana, the two girls who play, imitating the quarreling scene, was definitely one of the hardest things to work on. We didn't want their scenes to reveal only a hidden homosexuality. The scenes should also show the characters' desire to be like someone else.

What was the most satisfying aspect in making your film?

RC: Being able to tell a story in a short period of time.
LD: With a very low budget as well.

Who or what are some of the creative influences that have had the Biggest impact on you?


RC: The films "A woman under the influence", by John Cassavetes; "All about my mother", by Pedro Almodóvar; and "Autumn Sonata", by Ingmar Bergman.


LD: The films by Stanley Kubrick, like "A Clockwork Orange" and "The
Shining", as well as Hitchcock's "Psycho" and "The Birds".


The first film I have memories of watching as a child was:

RC: "E.T.", "Snow White and the Seven Dwarfs" and "Super Xuxa contra o Baixo Astral".

LD: "The Wizard of Oz", "The Neverending Story", "Labyrinth", with David Bowie and "The Land Before Time".

The first LGBT film I ever saw was:

RC: Velvet Goldmine.
LD: Philadelphia.

The one LGBT film that has had the biggest impact on me is:

RC: "Law of Desire", by Pedro Almodóvar.
LD: "Bad Education", by Pedro Almodóvar.

The most recent film I saw in a theatre was:

LD: Rui and I have just seen "Cassandra's Dream", by Woody Allen.

The last DVD I watched was:

Posted by Basil on 09 June 2008


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